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Art Matters Painting

Philip Leister

Painting, Acrylic on Canvas

Size: 48 W x 72 H x 1.5 D in

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About The Artwork

"I was lucky. I had an excellent local library growing up, and met the kind of librarians who did not mind a small, unaccompanied boy heading back to the children’s library every morning and working his way though the card catalogue. Looking for books with ghosts or magic or rockets in them, looking for vampires or detectives or witches or wonders." "Fiction builds empathy." "I believe I have the right to think and say the wrong things. I believe your remedy for that should be to argue with me or ignore me. And that I should have the same remedy for the wrong things that I believe you think." "I do not believe that all books will or should migrate onto screens: As Douglas Adams once pointed out to me, over twenty years before digital books showed up, a physical book is like a shark. Sharks are old: There were sharks in the ocean before the dinosaurs. And the reason there are still sharks around is that sharks are better at being sharks than anything else…" "I believe that it is difficult to kill an idea because ideas are invisible and contagious, and they move fast." "Libraries are about freedom." "Make Good Art." "They were good librarians. They liked books and they liked the books being read. They had no snobbery about anything I read. They just seemed to like that there was this wide-eyed little boy who loved to read, and they would talk to me about books I was reading. They would find me other books. They would help." -Neil Gaiman (from ‘Art Matters: Because Your Imagination Can Change The World’) Art Matters: Because Your Imagination Can Change The World: A stunning and timely creative call-to-arms combining four extraordinary written pieces by Neil Gaiman illustrated with the striking four-color artwork of Chris Riddell.

“The world always seems brighter when you’ve just made something that wasn’t there before.”—Neil Gaiman Drawn from Gaiman’s trove of published speeches, poems, and creative manifestos, Art Matters is an embodiment of this remarkable multi-media artist’s vision—an exploration of how reading, imagining, and creating can transform the world and our lives. Art Matters bring together four of Gaiman’s most beloved writings on creativity and artistry: * “Credo,” his remarkably concise and relevant manifesto on free expression, first delivered in the wake of the Charlie Hebdo shootings * “Make Good Art,” his famous 2012 commencement address delivered at the Philadelphia University of the Arts * “Making a Chair,” a poem about the joys of creating something, even when words won’t come * “On Libraries,” an impassioned argument for libraries that illuminates their importance to our future and celebrates how they foster readers and daydreamers Featuring original illustrations by Gaiman’s longtime illustrator, Chris Riddell, Art Matters is a stirring testament to the freedom of ideas that inspires us to make art in the face of adversity, and dares us to choose to be bold. Source: amazon.com Chris Riddell, OBE (/rɪdˈɛl/ rid-EL) (born 13 April 1962) is a South African-born English illustrator and occasional writer of children's books and a political cartoonist for the Observer. He has won three Kate Greenaway Medals - the British librarians' annual award for the best-illustrated children's book, and two of his works were commended runners-up, a distinction dropped after 2002. Books that he wrote or illustrated have won three Nestlé Smarties Book Prizes and have been silver or bronze runners-up four times. On 9 June 2015, he was appointed the UK Children's Laureate. 
 
 Neil Richard MacKinnon Gaiman (/ˈɡeɪmən/; born Neil Richard Gaiman, 10 November 1960) is an English author of short fiction, novels, comic books, graphic novels, nonfiction, audio theatre, and films. His works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stokerawards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The Graveyard Book (2008). In 2013, The Ocean at the End of the Lane was voted Book of the Year in the British National Book Awards.
 
 Source: Wikipedia Neil Gaiman: And the most brilliant part is, I don't even know how to read!

Details & Dimensions

Painting:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:48 W x 72 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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