





Painting, Oil on Canvas
55.1 W x 78.7 H in
Ships in a Crate
This work will ship in a secure wooden crate. Read More
This artwork is not for sale.
This large painting follows in the series with two other smaller, delicate works. Together, they represent the Threshold of Liminality, available to purchase together and separately. The sum of these three works are situated in the group show and represent space and experience as this place defined ...
2025
Painting, Oil on Canvas
One-of-a-kind Artwork
55.1 W x 78.7 H x 2 D in
No
Not Framed
Certificate is Included
Ships in a Crate
Shipping is included in price.
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
A recent Graduate of Fine Art From The University of Oxford's Ruskin School of Art. Holly Whitnell (b. 2004) is primarily a painter concerned with the weight of the word ‘experience’, and more specifically, what constitutes the act of experiencing. Informed by perception, recollection, reimagination and the shifting field, she abstracts landscapes – ‘experiences’ and materialises a sense of lingering ambiguity by extending and warping the borders of reality through recreation. Her practise questions why certain moments stay with us—why they resonate beyond the everyday—and how attention alone can transform a moment into something more. Right now, her art exists in a kind of flux: between seeing and not seeing, feeling and feelings of absence. There is often a resemblance in her work—something that makes recognition possible for others — but equally, there’s also a dimension of seeing that becomes entirely subjective as a space felt, rather than defined; It’s a way of materialising and asserting form to the intangible. Colour plays a crucial role here, and at times, its absence does too. Everything is considered, even in its uncertainty—mirroring the liminality of perception itself.
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