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Painting, Acrylic on Canvas
Size: 60 W x 30 H x 0 D in
Ships in a Crate
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"At Sea between Fossils and Satellites 7" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with art deco aesthetics. Various techniques have been employed by the artist to obtain a vibrant and organic effect including; evaporation of solutions in the open air, fine copper powder dispersion, polymer impasto and collaging and, stenciling. The orchestration of this mixture of strategies creates a rich end result that is simultaneously fluid and structured. Allusions to the natural world can be made, from the ocean to the sky and beyond. The painting has finished white edges and can be hung vertically or horizontally. Keywords: art deco, organic motifs, nature, ocean, abstract, textured, cobalt blue, prussian blue blue, copper, rose gold, stenciling, Impasto, gestural, color-field, hard-edge, dynamism, oceanic, sci-fi/futuristic, iridescent, texture, sand, shells, cosmology
Painting:Acrylic on Canvas
Size:60 W x 30 H x 0 D in
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Born 1977, Canada In Melisa Taylor’s work, the natural world acts as a blueprint while ideas are sourced from historical art and contemporary culture. She pursued studies in Marine Biology before training in the classical art of the Old Masters. She grew fascinated by the works of Flemish painters Vermeer and Rembrandt whose symbolic use of light influences her practice up to this day. Melisa explores the notion of the sublime through blur and precision. She develops an aesthetic of duality by hybridizing divergent approaches to art. Her studio practice is labor-intensive; commercial and electric tools are used to inject unpredictability into the painting gesture. She has assimilated to her visual language an eclectic multilayering process combining pyrography, sanding and detailed stencil compositions on wood. Embracing chance is a central idea in her work, equally so is meticulous control. This results in a subterranean tension that jeopardizes the ethereal appearance of her pieces; arbitrariness and mechanical execution fuse to create what she calls "systèmes faillibles" where spectral motifs seek to emerge out of obscuring lattices. Melisa's recent production has been shown internationally at art fairs in Tokyo, Seoul, Istanbul, Texas, NYC, Singapore, Los Angeles, Melbourne, Miami, Houston and Shanghai to name a few. Her work has been exhibited and acquired in private and corporate collections across North America, Europe and Asia.
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