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About The Artwork
Cotton canvas on wooden frame, 2 cm thick. Grey bottom and edges, acrylic and marker, varnished. Landscape mode 160x120 cm. It is signed on the front (bottom right). Title of the canvas + official stamp are on the back. It is provided with a hook. Description : organic figures and faces on a grey stained background. It's a bleeding battle scene. It's 1415 Azincourt battle but without anymore horses. Only sweat, blood, swords and helmets, pain and ice-screams. Toile coton sur châssis bois, 2 cm d'épaisseur. Fond et bords gris (pas besoin d'encadrement). Acrylique et marqueur. La toile est vernie. Elle est signée à l'avant (bas droite). Le titre de la toile ainsi que le tampon officiel sont apposés au dos, sur cette toile comme sur toutes les toiles Frob. Elle est munie d'un crochet. Mode paysage 160x120 cm. Description : Sur un fond gris tacheté et sali, de petits gribouills médiévaux. Par dessus, 2 groupes de personnages entrelacés se battent sur un champs de bataille sanglant. Il y a des épées de fer et d'acier et des casques dorés. Les guerriers sont scarifiés et mal rasés. Il y a du sang, de la chique et du mollard. Du glaviot, de la glaire et de la sueur.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:63 W x 47.2 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
B. in 1970, FROB has always drawn on notebooks corners. During his law school, he escaped benches of the faculty crunching his similar, also inspired by his exciting and vibrant teachers' long litanies. He now works as an independent on the day and then at night, insomniac, he draws and paints. He loves coffee. He also loves comics and it is visible in his compositions with broad black lines. Initially focused on portraits, FROB now operates on a form of naive, raw, figurative free (at least that's what his knowledged relatives told him). He likes to have a big black felt pen in the pocket and acrylic tubes and pots never too far (except during the day because he works). He learns discovering, constantly experimenting. New and curious phenomenon : when he has not been painting for 2 days, he has a left hand little tremor.
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