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BALTIMOR Painting
France
Painting, Acrylic on Canvas
Size: 27.6 W x 27.6 H x 1.6 D in
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About The Artwork
Mea N.Ambrozo's professional artistic journey begins in 2004. She collaborated and exhibited in different galleries in Paris, Lyon and London. For 15 years, she experiences several techniques and materials. And she receives favorable feedback from collectors. This encourages him to persevere in his research and to assert an artistic identity constantly evolving. Mea N.Ambrozo's abstract works are the product of instinctive work, with random and controlled gesture. White, black, colors are very sober and imperceptible at first. His project is essentially monochrome. Its creative process is conceptual, it mixes the point, the line, dripping. "If we look at my works in their diversity, their successions appear not as fatality, but as the exercise of controlled freedom. The colors, the values, the brightness of the painting are not fixed and invariable on the Canvas but sensitive to variations in the light projected on the work and the displacement of the spectator. The absence of obvious strong colors allows you to look more carefully at the work. " The monochrome highlights the interdependence of the work of art and its context. The minimalist work is not only decorative. It allows direct interaction with its environment. Mea N.Ambrozo is inspired by great masters like Robert Ryman. His work opened the way to minimalism. The freedom to change a certain reading of abstract art. Mea N.Ambrozo dares to work white as a unique color. It is inspired by American painting and in particular the New York School of Abstract Expressionism. It is inspired by Pierre Soulages and Russell Connor. Together, they envisage the unfair share of artistic creation and the trinity of the work: the artist, the material and the gaze of the spectator. Soulages says: "I don't want to portray but paint. Not represent but present".
Original Created:2024
Subjects:Abstract
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:27.6 W x 27.6 H x 1.6 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Le parcours artistique professionnel de Mea N.Ambrozo commence en 2004. Elle collabore et expose dans différentes galeries à Paris, Lyon et Londres. Depuis 15 ans, elle expérimente plusieurs techniques et matériaux. Les oeuvres abstraites de Mea Ambrozo sont le produit d'un travail instinctif, au geste aléatoire et maîtrisé. Le blanc, le noir, les couleurs, sont très sobres et imperceptibles au premier abord. Son projet est essentiellement monochrome. Son processus créatif est conceptuel, le point, la ligne, le dripping. "Si l'on regarde mes œuvres dans leur diversité, leurs successions apparaissent non comme une fatalité, mais comme l'exercice d'une liberté maîtrisée. Les couleurs, les valeurs, la luminosité de la peinture ne sont pas fixes et invariables sur la toile mais sensibles aux variations de la lumière projetée sur l'œuvre et au déplacement du spectateur. L'absence de couleurs fortes évidente permet de regarder plus attentivement l'œuvre." Le Monochrome Le monochrome met en évidence l'interdépendance de l'œuvre d'art et de son contexte. L'Oeuvre minimaliste n'est pas uniquement décorative. Elle permet une interaction directe avec son environnement. Mea Ambrozo est inspirée par des grands maîtres comme Robert Ryman. Son travail lui a ouvert la voie du minimalisme. La liberté de changer une certaine lecture de l'art abstrait. Le Blanc Mea Ambrozo ose travailler le Blanc comme couleur unique. Elle s'inspire de la peinture américaine et notamment la New York School of abstract expressionism. Pierre Soulages et Russell Connor. Ensemble, ils envisagent la part d'indicible que recèle la création artistique et la trinité de l'œuvre : l'artiste, la matière et le regard du spectateur. Le Noir Soulages dit :"Je ne veux pas dépeindre mais peindre. Pas représenter mais présenter".
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