VIEW IN MY ROOM
Beauty under construction Painting
United States
Painting, Acrylic on Canvas
Size: 72 W x 42 H x 1.5 D in
Ships in a Crate
Shipping included
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About The Artwork
I felt a serious groove as I put this one together. I worked fast, very fast in fact, throwing caution to the wind with every addition of brush stroke and line application. Color and shape have defined my work for some time now with my line taking on a somewhat newer take the past few months. Abstract abounds on this large piece. While there was no specific goal when beginning this one I'm satisfied with it, and that's really an overarching goal most if not all artists strive for. Upon stepping back from this piece as I suspected it was complete, CONSTRUCTION is what immediately came to mind. My second thought was simply BEAUTY. So the title says it all, as the open yellow hints that it may not be quite done (but is, of course). This is the first painting of mine in well over a year where I used only brushes to apply the color. My lining technique still requires a different method, but the bulk of this is actually brushed on, which is highly unusual for me. Images shown with a frame are for demonstration only. I can sign the front or the back, whichever you prefer. Please assume a shipping fee will be additional on this large painting.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:72 W x 42 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
"Predictably unpredictable" describes my process. Using mostly brayers to apply and manipulate acrylics, the outcome is often somewhat unexpected, and the discovery factor is high. I have an idea of what will occur when I put paint to canvas, but not an exact one. My process is one of discovery and exploration, continually experimenting with color, texture and underpainting, with a healthy dose of “what happens if”. In addition to brayers, I use rags, fingers, palette knives, squirt bottles and the occasional brush, graphite and marker. The primary focus with most of my work is the affect humans have on the natural world. In the bulk of my paintings, the natural world is represented by color. Man's footprint appears as black lines, marks and shapes. The viewer determines if our imprint is a positive or negative one.
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