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United States
Painting, Acrylic on Canvas
Size: 59.5 W x 75 H x 1.5 D in
Ships in a Crate
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It begins with the music. The first few gentle notes of a sonata drift through the studio as Javier Cabada stands before a large, empty canvas. This white void serves not to intimidate him but to provide an expansive playground for the possibilities of his imagination. With a decisive first few brush strokes, Cabada quickly breaks up the empty space by loosely mapping out the major landmarks of the face. Once this has been accomplished, he immediately dives into color using broad, sweeping applications of thick paint with the palette knife. He continues to sculpt the planes of the face with a series of long, jagged brush strokes that twist and turn with a bold spontaneity. Beethoven emerges.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:59.5 W x 75 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Born in Barcelona, Spain (October 25, 1931) Cabada took interest in art from a young age. Upon turning 18, Cabada followed his passion to Peru, where he studied at National School of Fine Arts in Lima. Cabada went on to spend the next decade honing his craft at various art exhibits in Brazil, Germany and France before finalizing his studies at the Corcoran College of Art and Design in Washington, D.C. Following his relocation to Washington, D.C in the late 60s, Cabada began displaying his work at solo exhibitions in Paris, France, Bangkok, Thailand and New York City. As a result of his success, Cabada and his wife Consuelo opened the Aaron Gallery in 1974, an establishment that operated in Dupont Circle for the next 35 years. During this time Cabada experimented with various styles of abstract-expressionism, liberally transitioning from figurative to abstract work at any given time. After establishing himself as a prominent painter D.C artist, Cabada was able to display his pieces in a plethora of esteemed exhibits. Specifically in the last decade, Cabada’s work was exhibited in the John F. Kennedy Center of Performing Arts, The Art Institute of Chicago, The Detroit Institute of Art and National Portrait Gallery, as well as prestigious universities such as Harvard and Georgetown.
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