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At ArtEgg Studios, New Orleans, LA
Birth Control is a reflection of my experiences with birth control and its emotional and physical effects on my own body. The piece is made of objects that I have used often and sometime daily such as an IUD, liners for menstrual pads, and contraceptive pill packs. The assemblage of these objects forms the figure – a female body.
Birth Control is a reflection of my experiences with birth control and its emotional and physical effects on my own body. The piece is made of objects that I have used often and sometime daily such as an IUD, liners for menstrual pads, and contraceptive pill packs. The assemblage of these objects forms the figure – a female body.
Birth Control is a reflection of my experiences with birth control and its emotional and physical effects on my own body. The piece is made of objects that I have used often and sometime daily such as an IUD, liners for menstrual pads, and contraceptive pill packs. The assemblage of these objects forms the figure – a female body.
Birth Control is a reflection of my experiences with birth control and its emotional and physical effects on my own body. The piece is made of objects that I have used often and sometime daily such as an IUD, liners for menstrual pads, and contraceptive pill packs. The assemblage of these objects forms the figure – a female body.

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Birth Control Painting

Sara Madandar

United States

Painting, Acrylic on Canvas

Size: 51 W x 36 H x 0.1 D in

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$3,450

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ABOUT THE ARTWORK

Birth Control is a reflection of my experiences with birth control and its emotional and physical effects on my own body. The piece is made of objects that I have used often and sometime daily such as an IUD, liners for menstrual pads, and contraceptive pill packs. The assemblage of these objects forms the figure – a female body.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

51 W x 36 H x 0.1 D in

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Sara Madandar is an Iranian multi-disciplinary artist and educator based in New Orleans. She received her MFA from the University of Texas at Austin and her BA in painting from Azad University of Art and Architecture in Tehran. Through a range of media such as painting, video, installation, and performance, Madandar explores migration and the human experience of living between cultures, using the aesthetics of language, clothing, and bodies to study the complexities of cross-cultural experiences. Most recently, she was in residency at Joan Mitchell Center and Santa Fe Art Institute (SFAI). Sara is also a co-founder of the Parlour Gallery and Camp Street Studios, an artist-run space in the heart of New Orleans' downtown art district. Some of her accolades include an award from the Texas Visual Artists Association (TVAA) and an award from the Southeastern College Art Conference (SECAC) for work presented in an exhibition curated by Jessica Beck of the Andy Warhol Museum. Sara’s work has been featured at New Orleans Museum of Art, New Orleans Contemporary Art Center, Austin City Hall, Elisabeth Ney Museum, Elga Wimmer PCC (NYC), and many others. Sara will be in residency at Santa Fe Art Institute (SFAI) in the summer of 2022.

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