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Bloom Painting

Daniil Belov

Painting, Oil on Canvas

Size: 7.9 W x 11.8 H x 0.8 D in

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About The Artwork

Material: canvas on hardboard I painted this study with flowers at the plain air where I taught senior schoolchildren and students painting. This subject fitted very well into the exercises I had planned as it gave an opportunity to work on expression and to try a new technique. The previous task was to depict a field of shriveled prickly wheat. That subject demanded the according implementation: I suggested painting it “dryly and poignantly”. The color was painted “in wipe”, the ears were painted by abrupt slashes of brush, forming the thin sharp strokes, the coloring was picked up restrained, grey with ochre. The subject with blooming flowers contrasted dramatically with the field of wheat. It was rather a green entangled ball of stems and leaves, with sticking out daises, some of them completely withered and some of them full of life. Somewhere through the thicket orange marigolds showed up. Their petals, so thin, let the sunshine through, glowing as if they were lights by themselves. They stand out from the green background so much that I decided to make one of the marigolds the main character of my picture. This time I set before my students, and surely myself, the task of depicting this dense mess of greenery in contrast with the impression from the shriveled wheat filed. Therefore the next method of painting was chosen: the color was painted densely, creating thick layer of texture, which depicted stems and leaves by itself. It only remained to search for these images and to adjust them a bit, giving completeness. We only painted one marigold with transparent orange paint to convey its “fire”.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:7.9 W x 11.8 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Recently I’ve been interested in the question: how to paint so that the painting would give such strong feelings as the music of Bach or Schnittke? It is the problem I try to solve when I paint my pictures – how to fully express with paints the things that give rise to my emotions. How to express the full variety of these feelings turns out to be what is most difficult. It can be silent contemplative joy, nervous waiting or union of beauty and dramatic effect. That’s why beauty and convergence with nature for me are only some of the means of expression and the revelation of the image. Have you noticed how weather influences your mood, how objects hold memories about what they were associated with, how the world around us influences our emotions, senses, feelings? Compare your mood when warm sunbeams wake you up with when the whole sky is clouded over and rain is pattering on the windowsill. In this sense nature is a splendid figurative method. All I have to do is use it right and to combine it with all the other, no less significant expressive methods, that I control, which will help me to convey exactly what I want to share. I want to deal with such paintings, in contact with which a wave of searing pain will rise to the throat or feelings of joy or peace will overflow; that a viewer, seeing my picture, will live through it with me as its author and performer.

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