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Painting, Acrylic on Superior Rolled Canvas Board
Size: 11.8 W x 9.4 H x 0.2 D in
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$520
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42 Views
2
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ABOUT THE ARTWORK
My wife admired these shoes in Hotters window, so I bought them for her. When they had adapted to her feet (which are small) and had acquired a seasoned look, I decided to paint them. The work consists of a Rowney Cryla acrylic base coat of burnt orange over the gesso manufacturers finish. Opaque pigments have been used to lay down some areas, also acting as undercoating for sections of the subject matter. Subsequent layers of acrylic paint have been applied laced with Liquidex airbrush medium and deionised water to achieve a wash layer. This thin multiple layering of pigment allows for a degree of luminosity to the finished painting, avoiding the usual flat acrylic finish. Finished with a coat of Winsor & Newton Satin UV varnish, this not only protects the painting, but has a unifying effect. A suggested frame width of at least 50mm for this painting. This makes for the best visual effect and prevents warping.
Original Created:
2022
Subjects:
Materials:
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DETAILS AND DIMENSIONS
Painting:
Acrylic on Superior Rolled Canvas Board
Original:
One-of-a-kind Artwork
Size:
11.8 W x 9.4 H x 0.2 D in
Frame:
Not Framed
Ready to Hang:
No
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Nicholas Robertson
United Kingdom
Born in Gloucester and living and working in Cheltenham UK. I like to work in acrylic because it allows me to experiment, making changes quickly is paramount when wishing to explore your options. I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To recast emotions in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting. I have sold work around the world, to individuals and organisations and have produced award winning public art (usually with a colleague) for various institutions.
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