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"Bonds of Love" Painting

Peter Rushton, United Kingdom

Painting, Acrylic on Canvas

43 W x 55 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

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$2,051

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Bonds of Love was inspired by the doors seen in the Middle East Village I travel to on a daily basis. They are Weathered but functional. Behind the doors is a family deeply in love with each other and they pray 5 times a day to Allah together.

Year Created:

2018

Subject:
Mediums:

Multi-paneled Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

43 W x 55 H x 1.5 D in

Number of Panels:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Bahrain.

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Peter Rushton

About the Artist

Peter Rushton

United Kingdom

I don't set out to produce art about one subject or another. I'm never without a creative thought as I am constantly being inspired by what is around me and sometimes the thoughts are left in my mind and other times they develop into more in-depth ideas and detailed images. Having suffered a stroke some 4 years ago that effected my right hand (painting hand) I have faced many challenges and a hard journey since to get back to my former self - through sheer grit and determination and my passion for painting.

I didn't set out to be a contemporary artist or to create artwork relating to social commentary but over the years, as my portfolio styles naturally developed from a photographic illustrative style to looser acrylics and people started to review my work at International Exhibitions, the descriptions started to emerge and I began to notice a pattern I hadn't intended but am now pleased with.

My work tends to focus on the bigger environment, the relationships between man and woman, their natural recourse, the development of bigger and bigger cities, more and more people, noise, beauty and the consequences this has on nature. At school in Swansea, my passion was to be creative and I think my obsession with depicting life’s beauty started there...
During my years in London where I exhibited and also became a critic at private shows, the exposure to various subject matters and styles of art has played a significant influence in my creative approach today.
Some of my art is about the strategy of form and colour that represents human nature. And since I've always been a fan of abstract art - a new strand of work seems to have emerged depicting a very 'simplistic' side to a complex life.

None of it was intentional - it all developed and evolved over time. People often asked for my artist statement so I needed to do one but I've never liked to explain a certain piece of work - if you've made a picture and that's how you wanted it to be - hopefully it can speak for itself and whatever it says to the viewer - it's the right message because there isn't a wrong and a right message. Each person takes something a little different from the same picture and I'm happy with that.

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