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Bozo The Clown Painting
United States
Painting, Acrylic on Canvas
Size: 28 W x 30 H x 2 D in
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About The Artwork
Bozo the Clown is a clown character whose broad popularity peaked in the United States in the 1960s as a result of widespread franchising in early television. Originally created by Alan W. Livingston and portrayed by Pinto Colvig for a children's storytelling record album and illustrative read-along book set, the character became very popular during the 1940s and was a mascot for record company Capitol Records. The character first appeared on television in 1949 starring Pinto Colvig. After the creative rights to Bozo were purchased by Larry Harmon in 1956, the character became a common franchise across the United States, with local television stations producing their own Bozo shows featuring the character. Harmon bought out his business partners in 1965 and produced Bozo's Big Top for syndication to local television markets not producing their own Bozo shows in 1966, while Chicago's Bozo's Circus which premiered in 1960, went national via cable and satellite in 1978. The most notable performers to have played Bozo, aside from Colvig and Harmon, include Willard Scott (1959-1962), Frank Avruch (1959–1970), Bob Bell (1960–1984) and Joey D'Auria (1984–2001). Bozo TV shows were also produced in other countries including Mexico, Thailand, Australia, Greece and Brazil. Larry Harmon claimed that more than 200 actors have portrayed the clown.
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:28 W x 30 H x 2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
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Ships From:United States.
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United States
LARRY CAVENEY AND THE FOUR ELEMENTS by Mat Gleason What appear to be paintings from separate Larry Caveney series are actually held together in their conceptual approach, much as their subject matter might differ. They say dancers are as much athletes as those paid to play sports so there is a thread of connection there too. But look closer at what the artist does, the four elements are visible in all this work. Water: The element at the core of Caveney’s practice is the liquid paint he moves around to complete a composition. Frozen water is still water and the permanence of what he leaves can be seen as a purposeful, eternal splash. Air: The motion depicted here cuts through the air, swirls it all about, be it a dancer’s twirl across the ballroom floor or the bat of a superstar cutting toward the oncoming ball. In these pictures the air is disrupted by greatness and the painting captures this disruption. Fire: The energy on display burns with the heat of the subject’s intent but also the artist’s as well. The layers of meaning are derived from having captured the explosion of heat, each picture of Caveney’s is defined by what the subject burns. Earth: The solid object of the pictures is a manifestation of the element of earth. Even when depiction creates illusionistic space, even when the artist captures crystal moments in time and articulates their magic, the object itself is what guarantees its permanence, its earth. Larry Caveney is a painter, an artist and as evidenced by this work, an elemental magician.
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