View In A Room
Add to Favorites
VIEW IN MY ROOM
VIEW IN MY ROOM
Painting, Enamel on Plastic
Size: 96 W x 48 H x 2 D in
Ships in a Crate
7 day money-back guarantee
Artist featured in a collection
A union of two people who experience the joy of togetherness and then either the joy of contentment and peace or loss and disappointment.
Multi-paneled Painting:Enamel on Plastic
Size:96 W x 48 H x 2 D in
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
Herbert Lee Murrie was born in Chicago, Illinois. Herbert’s art school training was classic in nature. His love of painting leaned toward the French Impressionists, Monet, Cezanne, Sisley, and Gauguin to name a few. Never the less, he greatly admired what was happening in the early 60’s and 70’s by the American abstract painters, Wilhelm de Kooning, Arshile Gorki, Mark Rothko’s early abstractions and Jackson Pollock’s drip paintings. The Renaissance painters of Italy as well had an influence on him especially in the area of color. Over the past 10 to 12 years his painting moved rapidly to the abstract. He knew he had to keep pushing forward toward a totally non-objective, purely emotional state. He never felt the same emotion or excitement before that he feels in his abstract work today. One presupposes, of course, that words are used to convey information about the idea and the context. None of his paintings function as illustrations of an idea; ultimately they are the idea. The shapes and forms emerge through the constant blending and manipulations of the paint. A non hierarchical interweaving of form with space and color…interlacing forms, bows and curves that constantly intersect to produce fantastic spatial structures that change with the light, could be altered endlessly. To cause something to change and flow, to make it relative, suits him very well. He will edit out and build upon what he feels is working. Sometimes when images come about by chance they are fresher, more organic, more inevitable. Instinct takes charge. The composition of different forms, colors, structures, proportions, harmonies come out as an abstract system analogous to music. Letting a thing come rather than creating it is more genuine, richer, more alive. Anything is possible in his paintings; any form, added at will, changes the picture but does not make it wrong. The fact that Herbert’s paintings evolve their motifs as the work proceeds is a timely one because there is no central image of the world any longer: He must work out everything for himself. He wants to capture the energy one finds in the music of Beethoven, Mozart, the Beatles, the poetry of Bob Dylan. Music has that abstract energy that is Difficult to put into words. You feel it, sense it to produce a specific emotional effect.
Artist featured by Saatchi Art in a collection
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Explore an unparalleled artwork selection by artists from around the world.
Our 7-day, money-back guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?