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France
Painting, Egg Tempera on Wood
Size: 3.9 W x 6.3 H x 0.4 D in
Ships in a Box
Although I always have early European art in mind when I paint, people have often compared my work to oriental art, in its graphic style, use of gold and subject matter. Embracing this, at the beginning of the first coronavirus lockdown, I painted a large Japanese carp, calling it 'A Dream of Japan', since my family's dream holiday to Japan had been cancelled due to the pandemic. This exquisite, small painting explores the play of orange against ultramarine blue and the just-glimpsed effect produced by the touches of gold in the scales as the light moves over them. The painting is on an oak panel, prepared with gesso and water gilded beneath the fish. The paint was made by hand, grinding raw pigments in egg yolk tempera. This was scratched through to reveal the underlying gold around the scales of the fish. The painting has been signed and dated on the reverse and has a d-ring attached so that it is ready to hang.
Original Created:2021
Subjects:Fish
Materials:Wood
Styles:FigurativeFine Art
Mediums:Egg TemperaGold Leaf
Painting:Egg Tempera on Wood
Original:One-of-a-kind Artwork
Size:3.9 W x 6.3 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
I am a British artist based in the western suburbs of Paris. Firmly rooted in medieval methods, I use aesthetic devices originally meant to glorify the church to make secular paintings conveying the wonder and power of the natural world and the ambiguity of man’s relationship with it. I fell in love with early Italian painting while living in Florence, and returned to the UK to study it in a masters degree at Oxford University. I then went on to train as a paintings conservator at the Hamilton Kerr Institute, Cambridge, where I became passionate about the materials and techniques of medieval European art and learned to gild and paint in hand-made egg tempera on wooden panels prepared with gesso. After many years researching these methods in theory and practice, culminating in the publication of my annotated translation of Cennino Cennini’s fifteenth century treatise on art, I began to develop my own artistic practice. My paintings, which have been sold to collectors world-wide, have been selected for numerous local salons and I was shortlisted for the New Emergence Art Prize in 2022.
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