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Chaos Painting

Ian Summers

United States

Painting, Enamel on Canvas

Size: 72 W x 72 H x 1 D in

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About The Artwork

These are not portraits. Rather they are entirely conjured faces without any specific person in mind when they magically began appearing decades ago in my composition books back in elementary school. They began reappearing in my professional work during the 2000 Census when I would drive my car onto unknown streets and imagine the faces of the people who lived in random houses. I conjured 369 faces about five years ago when I began drawing on my iPad. Prints of those faces were on exhibition at the Banana Factory in Bethlehem PA. I gave an artist's talk when someone stood up and declared, "I know who that is!" "How could that be? I don't know who that is" Yet people insist they know the subjects. I asked people in the audience to take a Post-It and write the name of who they thought was being portrayed. No two names were alike. It occurred to me that some people feel more comfortable when they connect the dots. And I wondered how many different possible combinations there may be of eyes, noses, mouths, shapes, etc. Is it really possible to make up a face? As I look around my studio there are hundreds of faces looking back at me. While I do paint other things, it always comes back to faces. I am never bored as long as I am conjuring. For me it is magical. This one is painted on a 6' square canvas drop cloth. Why? That is what was available that day. I tacked it to my painting wall.I painted the face in the upper right corner on a piece of newsprint using water-based enamels and transferred it to the canvas. Each face is painted that way making the work a kind of monotype. IT began to build without a pre-conceived idea. It grew. Or as my father would say, "It gruesome!" The faces hovered, appeared to converse, to float, to dance, to... They express the full range of human emotions. Here is chaos. Imagine what it may be like if you were able to step into the painting which never appears the same way twice.

Details & Dimensions

Painting:Enamel on Canvas

Original:One-of-a-kind Artwork

Size:72 W x 72 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ian Summers’ Manifesto In the Manner of Claes Oldenburg *** I am for an art of memories that are chips and fragments, but not nostalgic. Life lived gathering experiences and images that are searching for meaning and connections. Faces conjured forming associations with people living and dead, with persons who may never have lived anywhere but in my mind. Conjured faces. I am for faces buried for over fifty years or more guessing how I knew them. Faces haunt me in my sleep and when I am awake. *** I am for seas of people on the streets of New York. I am for remembering everyone I have ever met. I am for the rags and bones of my childhood – encountering legends and myths from the moment I broke my first Crayola to my last drip of acrylic paint splashing and peeling it from my toenails. *** I am for not knowing where I am going until the painting wheezes and whines until I alter the course. *** I am for art on tar paper that bleeds and bubbles and smells and ghosts and is unpredictable as life itself. *** I am for projects that respond to life like when I spent three months – mesmerized in front of a television set watching the aftermath of 9/11. Faces flashed for nanoseconds. I tried to paint every one of them. Gestures. Expressions. Pundits. Soldiers. Politicians. First Responders. Anyone including actors making random appearances on disconnected television commercials. Working faster. Faster. At record speed. *** Over one thousand monotypes made from thousands of plates none bigger than an index card congregating making triptychs nine feet wide. *** Faces. More Faces. Conjured faces who do not make themselves known to me until they appear in a matter of moments on my iPad and painted with my fingers. *** I am for change ups. Moving from faces to what I see out my window and on the streets of Easton. Downtown. West Ward. Neighborhoods. The beat of the city. Is this new work a response or a reaction? *** (The portrait accompanying this profile is by Saatchi artist Will Harmuth.)

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