view additional image 1
View in a Room ArtworkView in a Room Background
58 Views
0

VIEW IN MY ROOM

Clouds V Painting

Carme Rodriguez Tajes

France

Painting, Oil on Canvas

Size: 31.5 W x 31.5 H x 0.8 D in

Ships in a Box

info-circle
This artwork is not for sale.
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
58 Views
0

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Science and art: Almost half of my life. I can calculate the number of years dedicated to science: 5 as degree student + 5 as PhD student + 7 as postdoc researcher = 17. I could marvel at the link between mathematics and nature, and I felt so happy each time that I managed to understand! Such a feeling is similar to what happens when we deeply perceive nature, or when we are touched by some form of art. I have chased it in academy and particle accelerators. From these seventeen years, I remember a bubble of sensitivity, curiosity and creativity. A never-ending stimulation. In 2017, I wrote my last article. In 2018, I spoke in my last conference. It was at Santiago de Compostela. Back to the place where everything started in order to draw a circle, of course. Then, I quitted and I started a new story ... This painting was inspired by the words of my friend Anna during an interview about “art and science”. Few days later, looking at my paintings about clouds, I recognized Rayleigh scattering, which is responsible for the blue sky of the daytime and the reddening at sunset. Raman scattering was present as well. What about light diffraction? I learnt that it causes amazing cloud iridescence, so it seemed a good idea to make a new painting. The result is the image that illustrates this post.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Abelleira, a Galician village located at the northwest coast of Spain. I have always loved manual work and I have always been a good student. These two things and a deep link to the sea fed an early tendency towards loneliness. Reading and drawing in nature spots occupied a big part of my “free” time as a teenager. In those days, one of my teachers guided me through the first attempts with oil painting. Actually, the after-class lessons with her have been the only art education that I have followed, and I still clean brushes in the way she told me to. As I grew up, science and academy occupied more and more of my time. I studied Physics at Santiago de Compostela and I made a PhD in experimental nuclear physics. I guess I can use an expression that I once heard: “studying Physics until the ultimate consequences”. During those years, research became the number one priority. I shared with some of my colleagues a double scientific-artistic profile. Trips for conferences and experiments were also incredible opportunities for exploring different places around the world, meeting artists of multiple disciplines, visiting museums,… However, any true commitment with a personal art project was complicated. The PhD training was followed by several years of postdoc research in France. A great opportunity and a big challenge, until working conditions became untenable. After several years of precarity, a change of direction seemed unavoidable. This is how I became a science teacher at secondary school. Teaching fits me quite well and it is being an unexpected way of maturing and exploring. Furthermore, it leaves me time for some “important things”, such as art. Holding back the brushes was not easy. My perceptions were forced and unfocused, my hands were clumsy, without memory. Almost by surprise, after a long period of puerile training works, something happened. Exercises became personal, and some kind of style popped out. My paintings were not isolated (and sometimes meaningless) pieces anymore, but a true quest and a learning process where I started to recognize my voice. Besides painting, dance also became a crucial part of my language.There must be a link between the two of them, but I would not know how to explain it. What I can say is that both have strongly contributed to my posture in life: living inside, and trying to keep an axis.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support