相補 Complementary Painting

Normally, I use ‘ white’ as a force to expand unlimited space or as a emptiness to fill all the colors by imagination. Also ‘ white’ could refer to the white of exhibition space, gesso and the normal canvas. Because of this, it opens far more possibilities to transfer the undefined space inside and outside of my paintings. For the other colors and stripes, they serve as multiple roles within complicatedly interactive layers and transition between positive/ negative spaces. They are the main body that constructs the base for the whole picture, while they are too supporting roles that step by step build up the existence of negative space.