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"Comunion series: After the wedding" Painting

Miroir Noir, Slovakia

Painting, Acrylic on Canvas

47.2 W x 39.4 H in

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$5,540

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Study for a bridal bouquet. Acrylic on canvas. 130x100cm. 2015

Year Created:

2015

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

47.2 W x 39.4 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Slovakia.

Customs:

Shipments from Slovakia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Started in 2007, Miroir Noir is an artistic cooperation between the Slovak painter and illustrator Miloš Kopták (1969) and the Catalan artist Rai Escalé (1964). Their joint paintings are truly created together in Bratislava or Barcelona, where they meet regularly. Spring 2026 // On the verge of a 20th anniversary Miroir Noir is approaching now its twentieth year, and we are still not entirely sure what it is. What began as a studio experiment between Barcelona and Bratislava has survived distances, exhibitions, failures, pandemics, and more flights and emotions than either of us cares to count. At some point it stopped feeling like a temporary project and became part of the structure of our lives. That might be what surprises us most. Not that there is still work to be done—there always is, if you look for it—but that the conditions that make it possible are still there. Work continues because the agreement to keep going still holds. We're still two, searching for that one unstable third voice, and we enjoy it whenever we can speak with it. Those twenty years don't feel like a finish line. They feel more like a point where, finally, some things are clearer than they were at the beginning. Not that we recall that much—it's more of a metaphor. But others remain as mysterious as ever, and we still don't know exactly what lies behind the mirror. Perhaps that's why the project continues.

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Curator - India Balyejusa

India Balyejusa, Senior Curator