






Painting, Oil on Canvas
47.2 W x 47.2 H in
Ships in a Crate
This work will ship in a secure wooden crate. Read More
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Artist Recognition
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Oil on 100% cotton canvas. No need to frame. Stertched canvas ready to hang. The back is signed and dated. "Pedestriang crossing" serie. They paralyze me, they move me, they engulf me, they surprise me, they drag me, they shake me, ... Now I feel nostalgic for those crowds...
Year Created:
2020
Subject:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
47.2 W x 47.2 H x 1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Spain.
Customs:
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.My name is Martta and I am a Spanish artist.
I paint what provokes me. And..what is provoke me?
The gaze holds immense power, and art has the ability to reveal it. In my practice, I question not only what we see, but how we see, and how perception is shaped by beliefs, emotions, and past experiences. I invite the viewer to look beyond surface vision, to understand that seeing is not merely physical but deeply interpretive.
We live in a world saturated with images, where the urgency to “see and be seen” often leads to consumption rather than understanding. My work explores this tension between visibility and invisibility: what do we truly perceive, and what escapes us? I am particularly drawn to those I call “the invisibles”—individuals who, though part of the crowd, remain unseen or ignored in collective narratives.
Through photography, I aim to capture what lies outside the frame of everyday attention: fleeting moments, hidden emotions, and overlooked details of urban life. Framing becomes essential—whether through crosswalks or other visual structures—to give presence to those on the periphery of our gaze.
Ultimately, my work asks a simple but vital question: how can we learn to see what usually goes unseen? I invite the viewer to pause, to look more consciously, and to reflect on the power of the gaze in shaping both visibility and reality.
Recognition:
Featured in the Catalog
Artist featured in a collection
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