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CQFD 03 - Deuxième époque - Runes - "pierre de Swingerud" Painting
France
Painting, Acrylic on Canvas
Size: 51.2 W x 38.2 H x 1.2 D in
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About The Artwork
Since anything, a table cloth, rotting oranges, spiderweb can be called "Art", you feel the pressure as an artist dealing with the art of painting, as a painter in fine art to know where you belong. Do i share the same historical corpus? Do i share the same values, the same origine? Why is it that in the name of art, a "story", a more or less good "story", "story telling" became the ground for art if not the art itself replacing :"l'oeuvre", the work of art which was as far as i know -since the beguining of humanity THERE before anyone decide to call it Art? Why not looking it anymore for what it is, there in front of us? - does it lack something that we feel the need to load it with extra-significances from the language sphere? With this frame of mind, to answer this state of things i decided to use the name of an artist, the way it is readable in his signature something extra-personal the proof of his art and existence and to treat it as a formal object to be included in one of my painting. Of course i remain answerable to painting on the threshold of painting, creating with this item a work of art that matches with and clearly belongs to the others i made so far, as in CQFD 03 - Deuxième époque - Rune - "pierre de Swingerud" - if the mysterious writing there was the name of an artist?
Details & Dimensions
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:51.2 W x 38.2 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
"Dyslexie, dysorthographie, dyscalculie..." was what i used to hear when i was a child, which drove me to a "Libre école Rudolf Steiner" where i had a very good time learning and dealing with drawing, painting, wood working, knitting...in a very genuine way. It was never called :"ART", but who cares ? The topic back then had more to do with the Cosmos, vitality, energetic fields, rythm, grows, states of minds, of evolution, self-control, harmony and balance, elements that i kept in mind as i became an artist. Later, i got a BA and a MA of art from the royal College of Arts and design London (1989) but getting "on the ball" is another story. My first commitment was with sculpture in free open spaces. I moved then to abstract painting bringing this habit of "making things" in the process of painting. Recently i got acquainted to figurative painting for its political aspect, the need to respond in a more concrete way to our troubled times.
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