VIEW IN MY ROOM
Crashing Tide Painting
United Kingdom
Painting, Oil on Canvas
Size: 23.6 W x 29.9 H x 0.8 D in
Ships in a Box
About The Artwork
Details: -High quality cotton canvas, 76x60cm and 2cm thick. -Edges painted consistent with the painting. -High quality professional grade oil paints. -Unframed, ready to hang. -Finished with gloss varnish. 'Crashing Tide' much like others in my 'Tide' series depicts something more recognisable in our everyday world, there is definitely ocean and rock present in the painting however there is still an unknown mystery to the world in which the scene is situated. I like the heavy texture in this piece and the hints of and the thunderous movement captured by the waves. Painted on a high quality cotton canvas this piece can be a focal point of any room, the colours complementing any warm interiors containing wood or minimalist colours. Finished with a semi gloss coat of varnish the paint is vibrant and full of depth. Lots of palette knife work and texture has been used to create more of a 3D effect from every angle.
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:23.6 W x 29.9 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Miles Johal is a abstract artist based in Devon. He is currently exploring abstract and contemporary styles focusing on the use vivid and vibrant colours and texture to create his dramatic pieces. Miles works out of his studio in Exeter and is exhibiting in up and coming galleries such as 'Radius68' and 'Off The Wall'. Artist Statement: ''I very much enjoy abstract painting as I had previously found realism too limiting and formulaic. My abstract paintings begin and develop from no preconceived ideas or compositions and thus, what is created does not come from thinking but from somewhere within. I feel creating in this manner gives work a special uniqueness and character and therefore many of my pieces, in their composition, are not recognisable as anything you may see with the naked eye. Essentially I am trying to somehow capture what lies beyond the realms of our everyday world and what is removed from our perception.'
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