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"Cricket and Loofah Flowers" Painting

→ Peiming Lu, United States

Painting, Ink on Paper

19.7 W x 19.7 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

This artwork is not for sale.

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Cricket and loofah flowers. -------------------- About the artist: Peiming Lu (陆培明, b. 1947) is a Chinese Painting artist living in Taicang, Jiangsu, China. He was born right after the World War II in the then extremely destructed China. Peiming grew up in a poor village and only finished element...

Year Created:

2016

Subject:

Styles:

Mediums:

Painting, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 19.7 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Peiming Lu

About the Artist

Peiming Lu

United States

Peiming Lu (陆培明, b. 1947; 号“半眠”, art name lit. "Half-Sleep") is a Chinese Painting artist living in Taicang, Jiangsu, China. He was born right after the World War II in the then extremely destructed China. Peiming grew up in a poor village and only finished elementary school because his family couldn’t afford his education any further. He then started learning Chinese Painting by himself. He loved observing varieties of plants in the countryside, and he would focus on practicing even in the hottest summers, despite the mosquito bites on his legs and the sweat trickling down his back.

Peiming is known for painting peonies. People call him the “Lu Peony”. The composition of his paintings seeks balance from both symmetry and asymmetry of positioning, integrates pointed and slanted use of brushes, and brings out great energy from bright colors. Although most of his paintings are in freehand style (写意), he sometimes combines line-drawing (白描) or Gongbi (工笔) techniques innovatively, creating a layer of simplicity or complexity as needed. Peiming’s style is appreciated for its poetic elegance and the folktale-like straightforwardness.

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