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United Kingdom
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12 x 16 in ($106)
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Black Canvas
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White ($135)
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Handmade egg tempera on pergamenata paper. Inspired by early Medieval Illuminated Manuscripts, such as the Lindisfarne Gospels and the Lichfield Gospels. The main feature of this carpet page are the birds that surround the cross. Traditionally, birds such as the swan, the duck , the linnet and the oyster catcher are associated with Saint Bride and Saint Mary. The birds are not readily identifiable as a particular species, nor are they meant to be. Birds are also symbolic of Christ in creation. Here, they are in heptagonal formation. The central cross contains celtic knotwork patterns. The dimensions given are for the size of the mount that the painting is currently in. The image size itself is 25 x 20 cm approx. The painting is currently framed in a plain wooden frame. The painting can be removed from the frame for shipping.
Original Created:2007
Subjects:Religious
Materials:Paper
Styles:Art DecoFolkIllustration
Mediums:TemperaWatercolorInk
Print:Giclee on Canvas
Size:12 W x 16 H x 1.25 D in
Size with Frame:13.75 W x 17.75 H x 1.25 D in
Frame:White
Canvas Wrap:Black Canvas
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United Kingdom
I was born in Anerley, Penge, UK in the year of the Rooster. All the rest of my family are Snakes.... :-) I've loved art all my life - I'm a compulsive doodler. I hope that I have now, through my artworks, taken doodling to a whole new level ;-) The main inspiration for my work is early Celtic. One day, many moons ago (more than I care to admit to), I saw a reproduction of a page from the Lindisfarne Gospels. I thought: "Wow! How do you do that?". So I set about trying to find out. Doodling alone can only take you so far. There comes a time when you have to seek out those who know more than you, and this led me to The Prince's School of Traditional Arts in London. I did look at all the usual art colleges, but we weren't really singing from the same hymn sheet, shall we say. At the PSTA I met many wonderful, unique, learned and inspiring people - such as Prof Emeritus Keith Critchlow, Dr Martin Lings, Dr Nassar Mansour, Aidan Hart and many others. Through their teachings and example, I gained new understanding of art, life, the universe and everything ;-) So I now probably fit in with standard art colleges even less than before. Is that good or bad? My paintings are entirely hand made and are executed mostly in egg tempera, acrylic and gold leaf on paper, calfskin vellum, glass or gesso panel. I make my own quills and egg tempera paint, regularly raiding local Welsh beaches for shells to use as paint palettes (they work well and they're free - what more can I say?). I do not, however, grow my own cows or make my own vellum (very yukky process). I am very happy to let someone else do that bit. Each painting can take up to four weeks to complete. Most of that time is spent on drawing out the design, using a set of Victorian compasses, a sharp pencil, a ruler and lots of tracing paper. I live in Burry Port, South West Wales with Himself and our large, dribbly dog.
Artist featured by Saatchi Art in a collection
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