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1
View In My Room
Painting, Acrylic on Wood
Size: 29.9 W x 19.7 H x 0.2 D in
Ships in a Box
54 Views
1
ABOUT THE ARTWORK
L'opera descrive il processo di preparazione della salsa di pomodoro e del prodotto di scarto ancora commestibile. E' una sorta di sfoglia che si ricava dalle pellicine dei pomodori che viene essiccata al sole e consumata con vari tipi di ricette ad esempio con un uovo fritto Allo stesso tempo la figura sulla destra simboleggia uno dei tanti braccianti che lavorano per la raccolta del prodotto:il pomodoro.L'opera vuol far riflettere sulle condizioni di lavoro di tanti braccianti nelle campagne d'Italia.
DETAILS AND DIMENSIONS
Painting:
Acrylic on Wood
Original:
One-of-a-kind Artwork
Size:
29.9 W x 19.7 H x 0.2 D in
Frame:
Not Framed
Ready to Hang:
Not applicable
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Italy.
Customs:
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
Have additional questions?
Please visit our help section or contact us.
I deals with walking as an aesthetic and relational practice, psycogeography and drawing. I realizes paintings on paper, canvas, wall in public and private sphere. The works that are included concern imaginary plans where the "green space" prevails over the buildings. Maps of non-existent territories. There is a verbal communication that intends to be "seen" and a visual communication that intends to be "read". This way of working is present in Bernynavigator World (2003) and Emotional Landscape (2012). Words are filtered by the concrete experience of life, but also by a "parallel world" that we carry within us made of heterogeneous sensations, dreams, poetry. More recently, becoming interested in a way of doing that does not involve the creation of lasting works, on the contrary, paying attention to the contingent moment in particular, in particular to "impermanence"
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