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Painting, Acrylic on Canvas
Size: 19.7 W x 27.6 H x 0.4 D in
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38 Views
10
Artist featured in a collection
DUSTER series A simple prefabricated, commonly used textile artifact, used to dry and clean, regenerates itself, bending it to the purposes for which it was not built and with the mere mental act of perceiving it, becomes a work of art. The Duster series is the result of elaboration and development, through careful coordination and transformation of the basic elements, kitchen towel and graphic representation of the washing symbols, to give them an accommodation and a complete and fulfilling form for the purpose intended. . Data sheet: Epoxy resin, Acrylic and wax colors on 100% cotton fabric Size: cm. About 70x50 Serie DUSTER Un semplice manufatto tessile di uso comune, prefabbricato, utilizzatto per asciugare e pulire, si rigenera, piegandolo agli scopi per i quali non è stato costruito e con il solo atto mentale di percepirlo, si trasforma in opera d'arte. La serie Duster nasce da l’elaborazione e lo sviluppo, mediante un’attenta coordinazione e trasformazione degli elementi di base, strofinaccio da cucina e rappresentazione grafica dei simboli di lavaggio, fino a dar loro una sistemazione e una forma compiuta e rispondente al fine voluto. Scheda tecnica: Resina epossidica, Colori acrilici e cera su tessuto cotone 100% Dimensione: cm. 70x50
2012
Acrylic on Canvas
One-of-a-kind Artwork
19.7 W x 27.6 H x 0.4 D in
Not Framed
Not applicable
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He began his training as an advertising graphic taking care of the image of the musical and cultural events of various associations of his city Nuoro. At the same time he began his artistic career experimenting pictorial techniques on alphanumeric typographic language. What interests him are some of the printing methods and in particular the typographic technique of the "relief form composed of movable type" (type), from which it draws inspiration; inspiration that begins to manifest itself in the works presented at the first national exhibition in which it participates, "Artefiera" of 1992 in Florence. His work is also appreciated by critics who recognize the award as the best young person under 25. The remarkable confirmation and the conceptual impact of pictorial representations of the symbols commonly called Type, had, and has, a primary importance in the symbolic research of the creative path elaborated by the artist in the following years. The method "Gutemberg - universal and primordial symbol of mass communication not only in the dissemination of culture, but also in the social and civil formation of peoples and in the progress of communication itself - is contextualized and used in pictorial representation, as a universal idiom of visual communication : the Type graphic sign evokes the immediate visual link between the object in its materiality (graphic sign engraved on a wooden parallelepiped) and its pictorial representation, which becomes the basis of global visual communication. In the work TypeCity, engobed red-clay bas-relief, created in 2003 and presented at the most important ceramics competition in Sardinia, the letters and numbers give a peculiar physiognomy to the work that takes on its characteristic alphanumeric code through the use of multiple characters types of different sizes and shapes which alternate and follow one another, in an absolutely random order, but in perfect compositional balance. Recent example of the use of Type is given by the pictorial series "Letters" started in 2008 with progressive numbering 01-236 and still in progress today. The fundamental step that broadens the cultural and artistic path of Francesco Alpigiano takes place in 1999 with the winning of the sculpture competition organized by the Costantino Nivola Foundation.
Artist featured by Saatchi Art in a collection
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