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"Cranes in shipyard" Painting

Zoltan Till, Hungary

Painting, Acrylic on Canvas

19.7 W x 19.7 H in

Ready to Hang

International shipping takes up to 10-14 business days

$1,551

Shipping Included

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

title: Cranes in shipyard medium: Acrylic on canvas size: 50 x 50 cm

Year Created:

2023

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 19.7 H x 0.8 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Hungary.

Need more information?

Need more information?

I was born in Budapest, Hungary, in 1977. I have a technical and rural background. I was influenced by both precise, logical thinking and the seemingly endless freedom of nature at the same time. Lately, I have been increasingly interested in the areas where the built and natural environment meet. Abandoned, former industrial buildings or operating but lesser-known facilities, construction sites, machines, and structures. I can reinterpret my paintings based on photos taken during my exploration tours, using precise post-processing in a studio environment. In practice, this means that the message and the formal solutions are important to me, but not necessarily and not always in the same proportion. My painting is aligned with modern realist traditions, but I also enjoy using the tools of sketchiness and impressionism. My primary goal is to present to the viewer these environments that I find interesting, and that are of interest to the viewer. At the same time, I want to convey something of the spirit of the times, the public mood and the social point of view. I believe that despite the inundation of today's world with images, there is a future and expressive power in classical imagery, traditional materials and the overall contingency of painting.

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