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Diptych of my mother, my brother and me Painting

Felix Felbermayer

Austria

Painting, Acrylic on Canvas

Size: 10.6 W x 39.4 H x 0.8 D in

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116 Views

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ABOUT THE ARTWORK

This is the left panel of the diptych entitled "Diptych of my mother, my brother and me". It was created for the group exhibition "zwei null zwei null" (transl.: "two zero two zero"), organised by pantoART (Vienna). Theme of that exhibition was the topic of duality, togetherness, the number two and similar concepts. For further information on that exhibition see the description-section. I chose the motive of my family and the format of a diptych to allude to the given theme of duality. The interested viewer will quickly find out how these themes are encapsulated in this artwork.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

10.6 W x 39.4 H x 0.8 D in

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Born and raised in Vienna, I was trained at the "Künstlerische Volkshochschule Lazarettgasse" in naturalistic, portrait and figure drawing for several years, and was taught oil as well as watercolour painting techniques. Later, I studied Classical Philology and Philosophy at the University of Vienna. My two great passions are visual art and literature. Having said that, I think it necessary to say that I do not mix up my interests in literature with my painting, but rather let them stand and thrive separately. Yet, although my literary and theoretical training may not have an impact on my visual artworks, it plays a crucial role in my artistic thinking, for it helps me to find a way through the sheer impenetrable jungle of contemporary art theories, concepts and ideas that shape our modern thinking of what "good" art is or ought to be. Even if I use a variety of different media and materials, I have a unique and very deep passion for watercolour. This is the medium I discovered first as a child, this is the medium I learned with how to represent reality. Since then, of course, my style expanded beyond realism. Now and then, however, I return to it. But my love for watercolour is still the same. It is my aspiration to find a completely new form, a new visual language for watercolour, as it were, because, looking at watercolour painting today, I surmise that most of it seems stuck somewhere between a formulaic form of realism and an odd revival of expressionism.

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