32 Views
3
View In My Room
Painting, Oil on Canvas
Size: 15.7 W x 11.8 H x 1.2 D in
Ships in a Box
32 Views
3
Artist featured in a collection
In the period of Covid-19 and quarantine, Francien Krieg paints self-portraits that chronicle a journey through time. She captures several phases in the forced home isolation and the emotional life of the isolated. Initially the quarantine provided peace, security and confidence, With the passage of time shadowy aspects of this type of isolation gradually emerge. Inner turmoil, confrontations with oneself, the longing for fresh air and light, the hunger for touch, the uncertainty of times ahead begin to manifest . The series of portraits, which is still ongoing, shows how the inner world comes to life in all its facets while the outer world stands still. The series evolves with current events and offers a special perspective on a worldwide and at the same time personal event, the outcome of which is still unknown. The contrast between tension and relaxation, struggle and resignation, makes this series of works an intriguing whole.
2020
Oil on Canvas
One-of-a-kind Artwork
15.7 W x 11.8 H x 1.2 D in
Black
Not applicable
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Netherlands.
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Netherlands
Francien Krieg (1973) lives and works in The Hague, The Netherlands. In the studio of Francien Krieg a glass is displayed with bird skulls and a small fetus in a jar. It is noticeable that transience of nature intrigues her. In the work of Krieg the theme of transience concentrates on the naked body of elderly women. Krieg paints the naked woman unpolished and realistic, as a pure human being. The beauty of imperfection becomes clear in her raw, poetic art and has the capacity to touch the observer. Krieg always painted human beings. At first she was intrigued by the form of the human body, but gradually her fascination with the texture and the colors of the human skin increased which is expressed in her realistic style. She tried once to show the inner side of human beings, but that did not appeal her. 'I think the inside is bloody and nasty, while the outside is interesting for me. The wrinkles and varicose veins of the elderly are to most people an illustration of imperfection, but to me they depict beauty. According to me, a smooth, polished skin is less interesting then an aged skin. Painting the unpolished, aged skin is a way to express the inside.' The fascination for the human body started when she became aware of the strangeness of her own body when she took a shower. She took a good look at herself and thought 'what a strange object is this!'. This experience stimulated her to paint her own body. 'Your own body is familiar and strange at the same time. For me it is bizarre that on one hand I feel comfortable in my body, while on the other hand I have no awareness of what is going on inside. Even medical science is unable to understand the inside of the human body completely.' Another fascination of Krieg is the way females are portrayed in the media. She is annoyed at the way the media create an idealized picture of women. As a counterpart of this idealization she aims to show natural and unpolished women. One of the purposes of Krieg is to stimulate critical questioning of the definition of beauty instead of a groundless acceptance of an imposed definition of beauty. Personality characteristics as openness and honesty also contribute to outward beauty. Krieg exhibits in the Netherlands and abroad. Her work is presented in different collections, like the ING art collection, the Howard Tullman collection, Museum van Lien, Scheringa collection and several private collections.
Artist featured by Saatchi Art in a collection
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