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Painting, Acrylic on Canvas
Size: 40 W x 40 H x 1 D in
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250 Views
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Showed at the The Other Art Fair
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The white shapes in this abstract painting resemble a flock of white doves. I had just finished stretching this canvas only 48 hours before domestic terrorists attacked the American house of Congress attempting to overthrow the election of the new president. The only thing on my mind that week and this week as we brace ourselves for the transition of government is the need for peace, peace, peace. This technique follows in the footsteps of the postwar “action painters” (think Pollock) and abstract expressionists (Frankenthaller). It is another homage to Simon Hantaï, the abstract painter who in the 1960s devised a fold-paint-unfold technique which bears more resemblance to the indigo tie-dye fabric arts of Shibori and Bogolan. This painting is bigger than the previous ‘Birds Flying High...’ and the blue is lighter, a deep cerulean blue. Each folded-painted pattern of negative shapes is unique, as unpredictable as opening up a hand-cut paper snowflake. The canvas was folded and clipped 200 times then painted and unfolded to reveal this intricate web pattern of the unpainted portions which happens to also resemble a flock of birds taking flight. This hand-stretched acrylic painting was made on raw unprimed canvas, which is a light beige rather than a stark bright white. The contrast of the intense blue and cream-colored canvas gives the illusion that the negative spaces are white. On a colored wall such as light gray, it appears white. But on a white wall you will notice that the paler shapes are not white. There is a wire on the back making it ready to hang immediately. The pattern continues around the four edges. It is not necessary to frame the 1-inch deep canvas unless you ant it to have a thicker side profile.
2021
Acrylic on Canvas
One-of-a-kind Artwork
40 W x 40 H x 1 D in
Not Framed
Yes
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Clients include: Timothée Chalamet, Starbucks, Ritz Carlton, Mayo Clinic, Jumaira Resort (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco, Evercore NY, Apollo Global Management, NY, Mazars Accounting NY, Limelight Mammoth Hotel & Residences, MD Anderson Hospital, Houston Methodist Hospital, Oakland International Airport. Christine So is a painter, photographer and printmaker living across the San Francisco Bay in the hills of Oakland, California. Her works are heavily inspired by the woods where she has lived and hiked for decades. She works in acrylic and in the antique photographic process of cyanotypes. She creates botanical and abstract prints without a camera lens, as well as hand-printed landscape photographs of the foggy woods where she lives. Whether it’s painting, printmaking, or photography, her work is always nature-inspired and nearly always monochromatic. She has worked in a dozen mediums, cycling back and forth from painting to printmaking to cyanotype, applying effects from one medium to the next. She bridges the mediums of photography, monoprinting and painting. Her favorite question when working in the antique photographic process of cyanotypes is “What would happen if…?” She has devised a range of atypical techniques using the cyanotype process. Arguably the most striking of her unique methods are her cyanotype paintings in her Delft Garden series. The painted silhouettes of plants each contain an intricate blue and white pattern within them when viewed up close.The lengthy process begins as a pencil drawing which is then painted in–not with ink or paint–but with the cyanotype light-sensitive mixture in a dark room. It’s a tricky process as it’s hard to see what one is painting in very dim light. Days later once the photography chemicals have dried in the painting, she lays plants on top of the painted silhouette in a pattern that will leave gaps similar to lace. She then carefully moves the entire bundle outside and exposes the pattern to sunlight to create the image-within-the-image. The blue and white pattern seen in each leaf resembles painted Delft pottery, thus the title of this series: Delft Garden. Another of the artist’s innovative techniques is her series of completely abstract cyanotypes printed without photo negatives or stencils.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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