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Duchessa Painting

Sara Zamperlin

Italy

Painting, Oil on Canvas

Size: 35 W x 53 H x 1.5 D in

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About The Artwork

“Sara Zamperlin’s project gives every appearance of being a celebration of the courage and strength of will to overcome her fears by exorcizing them through the creative and curative power of art in all its forms” Her work, based on the theme of Alice, takes form as a new mode of expression which the artist has mastered through her successful capture of the humanity, fragility, fears, and dreams of the characters in the novel Alice in Wonderland, written by Lewis Carroll in 1865. As in every great work of art, that which is visible to the admirer is only one small part of the entire oeuvre. The construction of the paintwork upon the canvass is merely the ultimate phase of a lengthy creative process in which the final brushstroke is regarded simply as the crowning moment of an exhausting, arduous journey of research and sleepless nights. The attaining of an awareness of the personal emotions evinced by a painting, or indeed by its very process of creation, brings forth an undying memory which becomes a robust cornerstone along the highways and byways of our existence. Sara Zamperlin, in her quest to split up the ‘ego’ into all its parts, has donned Alice’s clothing in her search for candidates for this project. Alice represents a journey: the passage from adolescence to adulthood. Every character that the protagonist meets puts obstacles in her path. But, of course, obstacles can be overcome. The most difficult ones to be overcome are the phobias, from which Alice, at the end of her adventure, manages to free herself. In the project presented to us, each character depicted on the canvas represents a particular fear, phobia or obsession. The public announcement by the artist to reveal which models were selected to interpret novel’s characters has met with rather unexpected success. And Sara, much to her great satisfaction, has been made acutely aware of the desire of each one of us to overcome and exorcise our own weaknesses through the power of colour. The characters represented are those which are predominant in the novel. The key to reading the works is innovative in its own right since the true protagonists as revealed are not identifiable in the subject per se but rather in the fusion of each protagonist’s personality traits with their greatest obsession. The additional elements, the fruits of careful research that add personality to each character, see the creation of protagonists at a purely pictorial level fitting both the characters described by Carroll and the singularity of the subjects depicted. The personalities of the models that took part in the project are in Sara’s eyes similar to the novel’s characters themselves and share with them some of the same fears, obsessions or distinctive personality traits. Sara Zamperlin’s project therefore gives every appearance of being a celebration of the courage and strength of will to overcome her fears by exorcizing them through the creative and curative power of art in all its forms.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:35 W x 53 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

“Since I was a child I have never been able to bear perfection…” “I offer part of my very being to the other person and as I paint that person I relive their life with such intensity that the picture no longer appears static and instead speaks to the deepest part of me in quite an amazing way. I like talking to people, getting to know them, and taking part of them away with me. And if I find in them a desire to break out of normality and to really rise to that challenge with all their being, then they become by necessity an integral part of my work.” Being Sara Zamperlin means being born in a hamlet of Legnago, called Porto, beyond the River Adige. Or over here. It depends on your point of view. It means being the daughter of two art lovers: my father, a carpenter always busy fashioning objects with his hands, and passionate about photography; my mother, a devourer of books. Both quick to grasp my bent for drawing. So much so that I managed to enroll on Signora Nelda’s adults-only course. I was 7 years old. I still remember the workshop’s rooms: the first one where one did drawing from life in pencil. The second, the one for oil painting, where only those who had reached a certain level were allowed. Its smell, the creaking of the door, the “hair-bun” – all are still there in my mind. It was then that I realized that I would become a painter when I grew up. Being Sara Zamperlin means walking with conviction towards a specific goal. Driven by my dream, I first enrolled at the Institute of Applied Art, and then continued my studies until I was qualified as a technician for the conservation, maintenance and restoration of objects of art. I thought then — and I still think – that I made the right decision: that bringing a painting to restoration, or rather, restoration to a painting, might be the precisely the right complementary arrangement to fit in with my own aims. Which were to maintain constant contact with the artists of the past while at the same time experimenting with my own drawing as I sought a particular artistic form. In my own style – something which did indeed eventually emerge. At the beginning, the forms were abstract. I was trying to communicate by bringing out my feelings through line, colour and subject matter. In the meantime, I opened my own restoration and painting workshop, just to satisfy both sides of my being. My research, however, ended up going nowhere.

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