VIEW IN MY ROOM
United Kingdom
Painting, Gouache on Paper
Size: 11.8 W x 8.3 H x 0.1 D in
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A gouache painting of a derelict fishing boat on Dungeness beach beneath an ominous and cloudless sky. It is executed on 300gsm, hot pressed, watercolour paper and is drawn in a realistic, Retro, style, is titled 'Dungeness Wreck #4' is signed on the back, is unmounted and unframed. This gouache painting was worked up from sketches I made when I was privileged to accompany my wife to stay for a few days at Prospect Cottage in Dungeness, home of the late Derek Jarman. It was a fascinating and inspiring stay in the strange environment that is Dungeness Beach. The wrecked fishing boats on this beach are all derelict but are all preserved so that they will no longer deteriorate but remain timeless, which just adds to the individual nature of the place atmosphere of the place :)
Painting:Gouache on Paper
Original:One-of-a-kind Artwork
Size:11.8 W x 8.3 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I live on the Kent coast and have a view of the sea from my studio. I love this as it constantly supplies me with a plethora of inspiring material from the ever changing light and atmospheric conditions to the abundance of gulls, birds, wildlife and interesting seaside structures. For drawing I use pen and ink, which I find an exacting and time consuming but satisfying medium for detail. My first choice of painting medium is gouache as it can be used in a myriad of different ways from thin washes to heavier, more dense, applications. depending upon what I am painting. Most of the time I build up colours in layers of varying density to achieve just the right result. For sculptures I use clay, normally with an overcoat of some description, which I find allows me to interpret the subject more emotionally rather than producing an emotionless, cold, static articles. I tend to be attracted to human poise and movement with my sculpting and this medium suits the application well.
Artist featured by Saatchi Art in a collection
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