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Multitask. Multifunctional. Multidimensional. Not only words of our time, but words that reflect our evolution as a species. Our adaptation involves being able to move in and out of a variety of environments and situations. In a single day we could work several different jobs requiring contrasting skill sets. We could communicate with many diverse types of people from numerous countries, with unique languages and believes. We have adjusted to the diverse and varying demands of our new world. No longer are we defined by just one role or one function. In our adaptation to our new multifunctional selves our species has evolved creating an equal number of counterparts. We are the same person, yet we appear different. Our image is reflected in varying ways depending on the tasks at hand and the environment. We find ourselves in a state of constant duality, attempting to maintain symmetry within our interchanging movements. 

In this body of work I explore the concepts of reflection, duality and triad. Every aspect of constant duality has been addressed through the application of color, shape and line. Using one person often in the same pose, I reflect the image and look for the interaction it creates within the form. Using color as a device to create unity within these multidimensional compositions, I have maintained the concept of opposites through the use of complementary colors. Solid shapes are contrasted with thin lines, straight edges with curves. Detail representation is purposely placed in an abstract field. Some environments are structured; some are very loose, again reflecting the world upon which we move in and out of everyday.
Multitask. Multifunctional. Multidimensional. Not only words of our time, but words that reflect our evolution as a species. Our adaptation involves being able to move in and out of a variety of environments and situations. In a single day we could work several different jobs requiring contrasting skill sets. We could communicate with many diverse types of people from numerous countries, with unique languages and believes. We have adjusted to the diverse and varying demands of our new world. No longer are we defined by just one role or one function. In our adaptation to our new multifunctional selves our species has evolved creating an equal number of counterparts. We are the same person, yet we appear different. Our image is reflected in varying ways depending on the tasks at hand and the environment. We find ourselves in a state of constant duality, attempting to maintain symmetry within our interchanging movements. 

In this body of work I explore the concepts of reflection, duality and triad. Every aspect of constant duality has been addressed through the application of color, shape and line. Using one person often in the same pose, I reflect the image and look for the interaction it creates within the form. Using color as a device to create unity within these multidimensional compositions, I have maintained the concept of opposites through the use of complementary colors. Solid shapes are contrasted with thin lines, straight edges with curves. Detail representation is purposely placed in an abstract field. Some environments are structured; some are very loose, again reflecting the world upon which we move in and out of everyday.

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View In My Room

Duo 10 Painting

Cathy Locke

United States

Painting, Oil on Canvas

Size: 12 W x 16 H x 1 D in

Ships in a Box

SOLD
Originally listed for $990

171 Views

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Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

Multitask. Multifunctional. Multidimensional. Not only words of our time, but words that reflect our evolution as a species. Our adaptation involves being able to move in and out of a variety of environments and situations. In a single day we could work several different jobs requiring contrasting skill sets. We could communicate with many diverse types of people from numerous countries, with unique languages and believes. We have adjusted to the diverse and varying demands of our new world. No longer are we defined by just one role or one function. In our adaptation to our new multifunctional selves our species has evolved creating an equal number of counterparts. We are the same person, yet we appear different. Our image is reflected in varying ways depending on the tasks at hand and the environment. We find ourselves in a state of constant duality, attempting to maintain symmetry within our interchanging movements. In this body of work I explore the concepts of reflection, duality and triad. Every aspect of constant duality has been addressed through the application of color, shape and line. Using one person often in the same pose, I reflect the image and look for the interaction it creates within the form. Using color as a device to create unity within these multidimensional compositions, I have maintained the concept of opposites through the use of complementary colors. Solid shapes are contrasted with thin lines, straight edges with curves. Detail representation is purposely placed in an abstract field. Some environments are structured; some are very loose, again reflecting the world upon which we move in and out of everyday.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

12 W x 16 H x 1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a San Francisco-based figurative artist and writer. I was born in Oxford, Mississippi and raised in America’s deep south until I was twelve. I spent the majority of my teenage years living between Los Angeles and New York, until finally settling in California’s wine country north of San Francisco. I have a B.F.A. from Art Center College of Design and a M.F.A. from the Academy of Art University, both with honors. I teach figurative courses for the graduate department at the Academy of Art University in San Francisco. I have received over forty accolades for my paintings, including ones from: Marin Museum of Contemporary Art, Pastel Society of America, Society of Illustrators in Los Angeles, Connecticut Society of Portrait Artists, the Pastel Journal, Northern California Artists Association and University of Oregon. My work has been featured at six museum shows and is collected by civic and educational institutions, as well as private patrons across the United States, Canada and Europe. Writing about art is a big part of my art practice. I am the editor-in-chief of . I have also been published by Palgrave Macmillan, the Military History Quarterly and American Arts Quarterly. My paintings explore the female figure’s movement and transitions through an environment. I work with the concept of duality and multidimension, because I think it represents the contemporary woman’s life. I purposively use one person in similar poses, I look at the interaction the movement and negative spaces create. I use complementary colors to create unity. Solid shapes are contrasted with thin lines, straight edges with curves. Detailed representation is purposely placed in an abstract field. The environments I create are structured to reflect the world upon which we move in and out of every day. My goal is not only to create beauty but to represent women in a positive light. My work crosses both representational and abstraction.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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