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This painting is part of the artist's Contours Collection, which came to fruition during the 2020 quarantine and election cycle, when the artist was craving simpler, quieter color palettes and wanting to make productive usage of unused and surplus studio supplies.  

Artworks begin with the shaping and layering of fabric remnants and abandoned canvases in organically inspired arrays. The dimensionally contrasting textured surfaces are then bathed in monochromatic and minimalist color.  The constrained color approach allows the discreet textures and tones to feature more prominently, providing a subtle, sculptural effect.
This painting is part of the artist's Contours Collection, which came to fruition during the 2020 quarantine and election cycle, when the artist was craving simpler, quieter color palettes and wanting to make productive usage of unused and surplus studio supplies.  

Artworks begin with the shaping and layering of fabric remnants and abandoned canvases in organically inspired arrays. The dimensionally contrasting textured surfaces are then bathed in monochromatic and minimalist color.  The constrained color approach allows the discreet textures and tones to feature more prominently, providing a subtle, sculptural effect.
This painting is part of the artist's Contours Collection, which came to fruition during the 2020 quarantine and election cycle, when the artist was craving simpler, quieter color palettes and wanting to make productive usage of unused and surplus studio supplies.  

Artworks begin with the shaping and layering of fabric remnants and abandoned canvases in organically inspired arrays. The dimensionally contrasting textured surfaces are then bathed in monochromatic and minimalist color.  The constrained color approach allows the discreet textures and tones to feature more prominently, providing a subtle, sculptural effect.
This painting is part of the artist's Contours Collection, which came to fruition during the 2020 quarantine and election cycle, when the artist was craving simpler, quieter color palettes and wanting to make productive usage of unused and surplus studio supplies.  

Artworks begin with the shaping and layering of fabric remnants and abandoned canvases in organically inspired arrays. The dimensionally contrasting textured surfaces are then bathed in monochromatic and minimalist color.  The constrained color approach allows the discreet textures and tones to feature more prominently, providing a subtle, sculptural effect.
This painting is part of the artist's Contours Collection, which came to fruition during the 2020 quarantine and election cycle, when the artist was craving simpler, quieter color palettes and wanting to make productive usage of unused and surplus studio supplies.  

Artworks begin with the shaping and layering of fabric remnants and abandoned canvases in organically inspired arrays. The dimensionally contrasting textured surfaces are then bathed in monochromatic and minimalist color.  The constrained color approach allows the discreet textures and tones to feature more prominently, providing a subtle, sculptural effect.

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38

View In My Room

ENCHANTE' Painting

STACEY WARNIX

United States

Painting, Acrylic on Canvas

Size: 32 W x 38 H x 2 D in

Ships in a Box

SOLD
Originally listed for $2,690

265 Views

38

Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK

This painting is part of the artist's Contours Collection, which came to fruition during the 2020 quarantine and election cycle, when the artist was craving simpler, quieter color palettes and wanting to make productive usage of unused and surplus studio supplies. Artworks begin with the shaping and layering of fabric remnants and abandoned canvases in organically inspired arrays. The dimensionally contrasting textured surfaces are then bathed in monochromatic and minimalist color. The constrained color approach allows the discreet textures and tones to feature more prominently, providing a subtle, sculptural effect. This artwork is sold with a whitewashed float frame made of solid wood.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

32 W x 38 H x 2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Stacey Warnix is an American lyrical abstraction painter who uses gestural methods to render large-scale, non-representational paintings over raw textile.  Her paintings explore the experiential affect of nuanced color and scale, using layers of disparate translucency and contrasting textures to subtly shift the perception, light reflectivity, and luminosity of her landscape-inspired color fields. Introduced to representational oil painting by an artist grandmother, Stacey created paintings and collages throughout her school years, winning frequent awards, but ultimately pursued a professional career in law and finance. She lived and worked professionally in California and London before moving to Texas, where she started painting again. Stacey experimented with gestural abstraction and became enamored with the process as a meditative escape. Today, she paints to escape a world of precision, finding respite in abstract forms, textures, and tones. Stacey’s paintings feature nuanced layers of mixed media pigments interspersed with collage. Her extensive years in residence along the California coastline made an indelible impression and that influence shows throughout her body of work, with marked visual references to time-worn, hazy memories of light-filled coastal vistas. 

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Dallas, Dallas, Dallas, Dallas, Dallas, Los Angeles, Los Angeles, Dallas

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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