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"Earthquake" Painting

→ Jen Crowe, United States

Painting, Oil on Wood

24 W x 18 H in

Ready to Hang

$1,160

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


"Earthquake" was created in the fall of 2022 in Santa Barbara, CA. I created this painting using a mixture of oil paint and wax on a sealed and gessoed wood panel. My paintings are created without the use of brushes. Instead, I paint with squeegees, brayers and by applying paint to papers which is ...

Year Created:

2022

Subject:

Mediums:

Painting, Oil on Wood

Rarity:

One-of-a-kind Artwork

Size:

24 W x 18 H x 1.5 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Jen Crowe

About the Artist

Jen Crowe

United States

My work is heavily focused on process. I embrace the history of creation showing through in the final work. I work with a balance of intuition and planning.

I’m inspired by natural textures and aging man-made structures. Time spent hiking refuels me for my studio practice and often directs me towards color palettes used in my work. My experiences traveling abroad and throughout the western U.S. also influence my work in the form of visual and physical textures, color, and shape.

I work in oil & cold wax on cradled wood panels. I do not use brushes to create my work. I paint with squeegees, brayers and by applying paint to papers which is then transferred onto the panel. My paintings are comprised of dozens and dozens of layers of oil paint and cold wax. I often scratch back into the layers with tools and palette knives revealing the layers below.

My goal is for the viewer to explore emotion and immerse themselves in an abstract way of thinking. I use layered history and visual texture to create something with visual weight and depth. This allows the viewer to ground themselves in an abstract work where they can then allow the mind to see what they need.

I believe abstract work to be incredibly inclusive in this divisive time. I hope that everyone can feel connected to the sense of history in my work. The aspects of decay, fluidity and depth in my work help create a universality of time and place for the viewer to connect with.

Recognition:

  • Showed at the The Other Art Fair

  • Artist featured in a collection

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