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Painting, Acrylic on Canvas
Size: 60 W x 80 H x 2 D in
Ships in a Crate
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"Situations arise and we are without control. Our hands tied. Our will no longer our own." -Bianca Valencia Criscuolo Hope is defined as an optimistic state of mind that is based on an expectation of positive outcomes with respect to events and circumstances in one's life or the world at large. As a verb, it’s definitions include: ""expect with confidence"" and ""to cherish a desire with anticipation."" The work I have produce in the light of this pandemic isolate the negative nature of my emotions as they interact with the optimism of belief in the light at the end. With its roiling sense of emotions, “inevitable Redemption” illicits a melancholy acceptance under-toned by the far off hope of “one day this too shall pass”"
2020
Acrylic on Canvas
One-of-a-kind Artwork
60 W x 80 H x 2 D in
Not Framed
No
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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United States
Bianca Valencia is a Connecticut born artist specializing in fine art and illustration. Her illustrations lean towards surrealism and abstract expressionism with highly concentrated focus on the exploration of dreams, theology, and the ontology of the self. The concentration of Bianca’s paintings respond to the aesthetic energy of abstract expressionism with its active movement towards work in which the gesture of the artist’s hand or process is highly evident in the final works. Conceptually these works explore Bianca’s spiritual understanding of the world as approached through the lens of a Christian. The work is highly dictated by underlying emotions and the inescapable influence her theological studies and comprehension have on her life. Her current collection works explore the objectification of a muse in juxtaposition to theological ideas of idolization and obsession. Where is the line? How do you remove yourself from the lineage of objectification as an artist? what is appreciation of a muse in contrast? The act of painting for Bianca subversive in its nature as she often removes herself from the world days at a time in the creation process.
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