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Painting, Acrylic on Wood
Size: 14 W x 11 H x 1.5 D in
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$260
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ABOUT THE ARTWORK
This work is part of Ketty Zhang's solo exhibition "On the ninety-ninth night" in Vancouver in 2022. Using text from Roland Barthes' A Lover's Discourse as a starting point, the mixed media series draws from personal memory to explore the themes of love, lost, nostalgia and new beginnings. This piece quotes Barthes: "In amorous mourning, the object is neither dead nor remote. It is I who decide that its image must die. As long as this strange mourning lasts, I will therefore have to undergo two contrary miseries: to suffer from the fact that the other is present and to suffer from the fact that the other is dead."
Original Created:
2022
Subjects:
Materials:
DETAILS AND DIMENSIONS
Painting:
Acrylic on Wood
Original:
One-of-a-kind Artwork
Size:
14 W x 11 H x 1.5 D in
Frame:
Not Framed
Ready to Hang:
Yes
Packaging:
Ships in a Box
SHIPPING AND RETURNS
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Canada.
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Ketty Haolin Zhang has spent half of her life so far in China and half in Canada. Informed by her experience as a 1.5-generation immigrant, her practice navigates her relationship with placelessness and (non)belonging in a hyper-globalized world. She is interested in creating works that embody both closeness and distance - the simultaneous desire to belong and to resist being defined.
Artist Recognition
Artist featured by Saatchi Art in a collection
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