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Female memories Painting

Daniel DERDERIAN

France

Painting, Oil on Canvas

Size: 15.7 W x 19.7 H x 1.2 D in

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$1,278

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About The Artwork

I started from a romantic and idealized image of a young woman that I deconstruct towards a more visceral aesthetic, the more animal drive of a female, her strength, behind a cultural make-up. I was the youngest with three sisters, an active mother and an often absent father. I grew up in an intense feminine world. Precocious, I had the appearance of a nice hairy young man, I was afraid of that image of the animal that reflected back on me in the mirror. I intuitively understood what society expected from this image, I didn't know what to do with it until I structured my body in the mould and language of classical dance. A reassuring corset that gave me a feeling of composition. It is an image of reconciliation with the confusion of sexual identity. “XY De l'identité masculine” summarized on the back of Elisabeth Badinter's book: "For a long time, masculinity seemed self-evident: every man had to resemble an ideal well established in the culture. But the women's movement shattered all traditional ideas about manhood and femininity. From now on, men are led to question an identity that the chromosomal formula XY is not enough to define. Going beyond the old quarrel of feminism against phallocracy and machismo, Élisabeth Badinter draws, in this essay, the still blurred contours of the new man that our century is in the process of inventing, and which will finally cease to repress an essential part of itself. Prelude to a new harmony of the sexes? »

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:15.7 W x 19.7 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Daniel Derderian was born in Marseille, lives and work between Paris and Ghent in Belgium. With tender anger, Daniel Derderian deconstructs images in search of coherence between the social image and the particular sensation of being an individual. He seeks to unleash the strength and vulnerability that animates us by going back and forth between the surface and the bottom. He composes singular portraits representing the confusion and vanity of the human condition. Exploring the torsions of our souls, he highlights our particularities, our otherness, driven by a naïve desire to create a colourful, exciting world of diversity. His work is a eminent cry for love from a safe space behind the mirror. As a former classical dancer and performer in the entertainment world, he worked a lot on appearance and dynamics. By deconstructing formatted and idealized images, he looks for more intimate and visceral sensations including lack and desire. Daniel works in a hurry, torn between the moral brake of an adult and the unlimited fantasy of a wild child. He wants to preserve something unfinished in his work, completion would be the end of a dynamic. His subjects present themselves in an intimate moment with their strength, their vulnerability, their anguish, their fantasies, as hybrid creatures in a world between dream and reality. Confused between appearing and being, between different realities, he explores the boundaries between figuration and abstraction. He proceeds by first setting up a solid outline with pencil, felt, brush, he continues then with knife, rag, finger, white spirit to add decoration or erase, sometimes until destruction. Finally, beyond the realization, he looks for a simple connection, the beginning of a little story that comes out of the unsaid, a calming. Each work is framed in the same way, like a corset.

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