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signature: M Lazar
I was impressed by the allure of a film director in a picture. For me, all these traces of brush were enough to read the attitude in it. The rest is rebuilt by imagination. His allure is distinct. I imagine distinct in a spiritual way. A certain inner nobleness is giving off. Somebody that is virtuous, modest and a genuine seeker, all at the same time. The sobriety of the color portrays how serious the theme is. It is simplified to the essence. Nothing decorative. I started from realism, but halted in the process, because I realized that that is the main idea. I didn’t want anybody to focus on the details, as only the allure of the portrait is important. The rest is individualization. And putting it into practice. It is an example of moral elegance. And anonymity. The picture is painted on a rigid support, in acrylic. It is unframed. A dark gray or black frame would put it in value.
I was impressed by the allure of a film director in a picture. For me, all these traces of brush were enough to read the attitude in it. The rest is rebuilt by imagination. His allure is distinct. I imagine distinct in a spiritual way. A certain inner nobleness is giving off. Somebody that is virtuous, modest and a genuine seeker, all at the same time. The sobriety of the color portrays how serious the theme is. It is simplified to the essence. Nothing decorative. I started from realism, but halted in the process, because I realized that that is the main idea. I didn’t want anybody to focus on the details, as only the allure of the portrait is important. The rest is individualization. And putting it into practice. It is an example of moral elegance. And anonymity. The picture is painted on a rigid support, in acrylic. It is unframed. A dark gray or black frame would put it in value.
I was impressed by the allure of a film director in a picture. For me, all these traces of brush were enough to read the attitude in it. The rest is rebuilt by imagination. His allure is distinct. I imagine distinct in a spiritual way. A certain inner nobleness is giving off. Somebody that is virtuous, modest and a genuine seeker, all at the same time. The sobriety of the color portrays how serious the theme is. It is simplified to the essence. Nothing decorative. I started from realism, but halted in the process, because I realized that that is the main idea. I didn’t want anybody to focus on the details, as only the allure of the portrait is important. The rest is individualization. And putting it into practice. It is an example of moral elegance. And anonymity. The picture is painted on a rigid support, in acrylic. It is unframed. A dark gray or black frame would put it in value.
I was impressed by the allure of a film director in a picture. For me, all these traces of brush were enough to read the attitude in it. The rest is rebuilt by imagination. His allure is distinct. I imagine distinct in a spiritual way. A certain inner nobleness is giving off. Somebody that is virtuous, modest and a genuine seeker, all at the same time. The sobriety of the color portrays how serious the theme is. It is simplified to the essence. Nothing decorative. I started from realism, but halted in the process, because I realized that that is the main idea. I didn’t want anybody to focus on the details, as only the allure of the portrait is important. The rest is individualization. And putting it into practice. It is an example of moral elegance. And anonymity. The picture is painted on a rigid support, in acrylic. It is unframed. A dark gray or black frame would put it in value.
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film director Painting

Magda Lazar

France

Painting, Acrylic on Cardboard

Size: 11.4 W x 11.7 H x 0.1 D in

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$910

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About The Artwork

I was impressed by the allure of a film director in a picture. For me, all these traces of brush were enough to read the attitude in it. The rest is rebuilt by imagination. His allure is distinct. I imagine distinct in a spiritual way. A certain inner nobleness is giving off. Somebody that is virtuous, modest and a genuine seeker, all at the same time. The sobriety of the color portrays how serious the theme is. It is simplified to the essence. Nothing decorative. I started from realism, but halted in the process, because I realized that that is the main idea. I didn’t want anybody to focus on the details, as only the allure of the portrait is important. The rest is individualization. And putting it into practice. It is an example of moral elegance. And anonymity. The picture is painted on a rigid support, in acrylic. It is unframed. A dark gray or black frame would put it in value.

Details & Dimensions

Painting:Acrylic on Cardboard

Original:One-of-a-kind Artwork

Size:11.4 W x 11.7 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am an artist who deals with the theme of emotions in achromatic or monochrome images, in styles such as abstract expressionism, Impressionism, realism, minimalism and others. The human figure, realistic or transformed, the objects of nature or those invented, all have symbolic value for these states. The lack of color requires a radical asceticism, an austere simplicity in an exuberant sensory world. A reduction in noise, waste of color and easy anecdotes, which invite to meditation and re-examination of the world around us. The sublimation of subtones and valuing insignificant details and undesirable objects, but which are linked to the forgotten essential, all creates a world upside down, that questions. Pointing to values such as compassion and empathy which pay attention to the misery of the world, its sadness, its loneliness, the dumbing of the voice, the lack of freedom and so on.

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