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Flames of the Phoenix Painting

Brett Nickell

United States

Painting, Acrylic on Paper

Size: 29.3 W x 21.5 H x 0.1 D in

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$2,170

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About The Artwork

"Flames of the Phoenix" was a hard won prize hallmarked by sudden and violent changes in mood and direction. It originally began in portrait orientation. Only after several unsuccessful attempts to bring the raging chaos under control did it finally 'roll over' into the landscape position. Lashing out at it with red acrylic paint seemed to do the trick. A fitting tribute to my artistic rebirth.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:29.3 W x 21.5 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For me each new painting is a journey into the unknown, and in that way a metaphor for life. I have no idea what lies ahead, how I will get there, or if I will succeed. The journey unfolds a little at a time, slowly revealing to me which path to follow. Each journey is different, not only in outcome, but also in technique. I use all manner of media including pens and pencils, crayons, acrylics and spray paint. I like to create a visual wonderland full of energy and mystery. Serendipity and the natural laws of physics with which liquid paint behaves are significant contributors to my creative process. It is as if I am a conductor, orchestrating forces of nature. The power of accident forces me out of my own limitations and prejudices, and causes me to have to reach further into myself for bigger and better solutions than I could have imagined from within my comfort zone. Sometimes acting out in frustration is the very thing that leads to a breakthrough. Another key factor in my artistic style is the pareidolia affect. The human mind strives to find recognizable patterns everywhere the eye gazes. Denied a recognizable form, the imagination goes into overdrive and actually imposes some kind of image or meaning onto the painting that is not actually there. In my work, forms are suggested but left largely undefined to elicit an imaginative response from the viewer. In some ways this makes each viewer have a uniquely personal experience, and is thus a contributor to the creative process.

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