




Painting, Acrylic on Canvas
39.4 W x 43.3 H in
Ships in a Crate
This work will ship in a secure wooden crate. Read More
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
FLORES EX PARTE A series based on studies of things we see in a cemetery and how representations of love are left forgotten. 'Anniversaire' is part of a dyptich that pictures the slow decay of things (and memories). Our 'Flowers on the Side' series is based on our recognition of the sad and shadowy...
Year Created:
2016
Subject:
Styles:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
39.4 W x 43.3 H x 1.2 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Slovakia.
Customs:
Shipments from Slovakia may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.Started in 2007, Miroir Noir is an artistic cooperation between the Slovak painter and illustrator Miloš Kopták (1969) and the Catalan artist Rai Escalé (1964). Their joint paintings are truly created together in Bratislava or Barcelona, where they meet regularly.
Spring 2026 // On the verge of a 20th anniversary
Miroir Noir is approaching now its twentieth year, and we are still not entirely sure what it is.
What began as a studio experiment between Barcelona and Bratislava has survived distances, exhibitions, failures, pandemics, and more flights and emotions than either of us cares to count. At some point it stopped feeling like a temporary project and became part of the structure of our lives.
That might be what surprises us most. Not that there is still work to be done—there always is, if you look for it—but that the conditions that make it possible are still there. Work continues because the agreement to keep going still holds. We're still two, searching for that one unstable third voice, and we enjoy it whenever we can speak with it.
Those twenty years don't feel like a finish line. They feel more like a point where, finally, some things are clearer than they were at the beginning. Not that we recall that much—it's more of a metaphor. But others remain as mysterious as ever, and we still don't know exactly what lies behind the mirror. Perhaps that's why the project continues.
Recognition:
Artist featured in a collection
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