100 Views
14
View In My Room
Painting, Acrylic on Canvas
Size: 60 W x 36 H x 2 D in
Ships in a Crate
100 Views
14
Acrylic on Canvas
One-of-a-kind Artwork
60 W x 36 H x 2 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United Kingdom.
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Please visit our help section or contact us.
United Kingdom
Find me on Instagram: ‘Outside the colourful life of the city, I apply colour to the canvas of life as a painter.’ I haven’t always been a painter. I did Art A level but always felt rather under the shadow of my Father who was a ‘proper’ Artist who had gone to Chelsea Art College and went on to be a creative Advertising Director. I also felt rather bowed by my genetic inheritance. George Chinnery (1774-1852) was a prolific and very successful portrait and landscape painter who spent many of his latter years in India and then China. His Father was also a painter. So I rebelled against my genes. Following a three year stint living in a Buddhist community I took up Ballet after seeing a film about the famous, troubled Russian dancer, Nijinsky. Music, drama and dance all in one; that did it for me. I moved from Brighton to London, got a scholarship to the Urdang Academy in Covent Garden and immersing myself in all things Artistic and hedonistic. From Monk to Punk in the twinkle of club lights. After training and touring for a bit with London City Ballet the natural next step in my life was….to work in the City. That was twenty four years ago. Painting became part of my life again following a personal crisis that turned my world upside down. It was a long dark soul of the night thing. Think Gerald Scarf has a long lunch with Ralph Steadman and you get some way down that hole. I used inks and acrylic and lots of rage and I never showed anyone my monsters. Over the last ten years I have come back again and again to the canvas, slowly finding my pace with pigments and textures. I mainly paint abstract landscapes or ‘colourscapes’ and most of my work is full of energy and movement. Its fun and up until about five years ago was largely a private affair. Then, following a party where I put my paintings on display, I got a chance to do a two week show at a friend’s gallery. The launch evening had a wonderful eclectic blend of friends and colleagues from all walks of life including the City, Media, and the Arts. I was terrified but it was fabulous. These experiences – jumps in the dark – have taught me to ‘step up’ and be seen and given encouragement to ‘bring together’ rather than ‘keep apart’. Risks are part of life and I believe I have grown by embracing risk in my work life as well as in my personal life.
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