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The small blue forget-me-not flower was first used by the Grand Lodge Zur Sonne, in 1926, as a Masonic emblem at the annual convention in Bremen, Germany. In 1938, a forget-me-not badge—made by the same factory as the Masonic badge—was chosen for the annual Nazi Party Winterhilfswerk, the annual charity drive of the National Socialist People's Welfare, the welfare branch of the Nazi party. This coincidence enabled Freemasons to wear the forget-me-not badge as a secret sign of membership.better source needed.
Publication:
Цветнова Т.Е.Семён Кожин. – М.: Белый город, Воскресный день 2016. – 208 с. – (Русская традиция). Page 56-57

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Forget Me Not Flowers Painting

Simon Kojin

Russia

Painting, Oil on Canvas

Size: 31.5 W x 23.6 H x 0.8 D in

Ships in a Crate

SOLD
Originally listed for $16,150

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ABOUT THE ARTWORK

The small blue forget-me-not flower was first used by the Grand Lodge Zur Sonne, in 1926, as a Masonic emblem at the annual convention in Bremen, Germany. In 1938, a forget-me-not badge—made by the same factory as the Masonic badge—was chosen for the annual Nazi Party Winterhilfswerk, the annual charity drive of the National Socialist People's Welfare, the welfare branch of the Nazi party. This coincidence enabled Freemasons to wear the forget-me-not badge as a secret sign of membership.better source needed. Publication: Цветнова Т.Е.Семён Кожин. – М.: Белый город, Воскресный день 2016. – 208 с. – (Русская традиция). Page 56-57

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

31.5 W x 23.6 H x 0.8 D in

SHIPPING AND RETURNS
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

1979 Born in Moscow. Committed to the Russian realistic school, graduate of the Russian Academy of Painting, Sculpture and Architecture, he aspires for absolute fidelity in reproducing the reality.I am driven by the desire to do this very kind of creative activity, one which would tell the truth about the surrounding world, Simon says, Any reproduction is subjective indeed, but I do hope that my painting is close to nature and harmony. I do what I am interested in, what I believe in. Thus I try to find unusual motifs, themes, I travel a lot, read a lot, watch a lot.The artists range of interests is wide: historical picture, still life, landscape, illustration. Unusual is his approach to solution of each new canvas, no formulas, nothing typical. Some canvases appeal at once by the consummate craft, fullness of colour and light, and feel. Others require focused attention, contemplation, rational approach.

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