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Living in Brooklyn at the time. As always,y studio doubled as my library. I guess you could tell I was reading Kafka at the time. I was also very much into German Expressionism, at the time.The work is on black paper card. It is done in acrylic, and is framed behind glass, ready to hang.
Living in Brooklyn at the time. As always,y studio doubled as my library. I guess you could tell I was reading Kafka at the time. I was also very much into German Expressionism, at the time.The work is on black paper card. It is done in acrylic, and is framed behind glass, ready to hang.
Living in Brooklyn at the time. As always,y studio doubled as my library. I guess you could tell I was reading Kafka at the time. I was also very much into German Expressionism, at the time.The work is on black paper card. It is done in acrylic, and is framed behind glass, ready to hang.
Living in Brooklyn at the time. As always,y studio doubled as my library. I guess you could tell I was reading Kafka at the time. I was also very much into German Expressionism, at the time.The work is on black paper card. It is done in acrylic, and is framed behind glass, ready to hang.
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VIEW IN MY ROOM

Franz/Gregor circa 2000 Painting

De Yos

United States

Painting, Acrylic on Paper

Size: 5 W x 7 H x 0.8 D in

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$259

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About The Artwork

Living in Brooklyn at the time. As always,y studio doubled as my library. I guess you could tell I was reading Kafka at the time. I was also very much into German Expressionism, at the time.The work is on black paper card. It is done in acrylic, and is framed behind glass, ready to hang.

Details & Dimensions

Painting:Acrylic on Paper

Original:One-of-a-kind Artwork

Size:5 W x 7 H x 0.8 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.

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