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Ganmushpia Painting

Olena Kayinska

Ukraine

Painting, Acrylic on Canvas

Size: 47.2 W x 70.9 H x 0.8 D in

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$2,030

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ABOUT THE ARTWORK

Ganmushpia is a non-existent word, which came from the abyss of prolonged insomnia. When you undergo increasing fatigue, fear, and anxiety for many hard months, you just want to go to bed, get under your blanket, and fall asleep. You want a dream that would bring you into the waters of forgetfulness. But you cannot fall asleep. There is no sleep. Your control is so strong, that it doesn’t let your body sleep. On these hard nights, the thought about something complicated and the memories about unresolved situations gather in masses in your head. A bunch of thoughts is illogical and unstructured, like the buildings of the castle, which pile one on another, which are ready to fall from the cranky rock every minute. Two tremendous snakes try to get inside of the castle, destroy it, eat everything inside, bring darkness and fear. They are the two snakes of the panic attack – the fear of death and the fear to let the control go.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

47.2 W x 70.9 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My name is Olena Kayinska. I'm an artist. I'm happy to do what I love the most. I want to make you happy as well with the help of my paintings. My paintings-dreams take the observers inside, to the subconscious, to the core. Trying to find the inner self, the observer wanders through the imaginary world, fantastic forests, filled with symbolic images and archetypical symbols, inhabited with mysterious creatures, each of which provides a guide to the final destination – our heart. My aim is to make people happier. My paintings show the endlessness of obvious and unobvious relationships in this world with the help of mysterious storylines with the metaphysical sense. Being the guide between the worlds, I mix reality and magic in a genuine meditative form of my witchcraft. Direct ascetism of the flat surfaces, completeness, and persuasiveness of the compositions, seamless statics, graphical coding of the deep sense into the schematic images, order, and rhythm of the painting focus the observer’s attention on what is underneath. I want to return the observers to the pure, sincere, and spontaneous experience of the outer world, which we all had in our childhood. Children observe the world as it is, directly, without thinking. My paintings are childishly simple and straightforward. They help recall the child’s state of trust and safety, the state of interest in the world around, the state of fabulousness and love. As if you are being held in hands and told a fairy tale. When we manage to recall this fundamental state and restore the feeling of trust and pureness, the world starts showing us its magnanimous side. My paintings are portals of returning to the pure child’s state of mind and to the joy of being. ​

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