VIEW IN MY ROOM
Mexico
Painting, Acrylic on Canvas
Size: 57.2 W x 33.5 H x 1.4 D in
Ships in a Box
Artist Recognition
Artist featured in a collection
The underneath layer of this painting is red, followed by a white layer; violet, orange and yellow were the subsequent one's. I don't like to admit it that much, but this painting reminds me of the simple, free, things of life, like happiness and ecstasy. But sometimes it also makes me feel perishable, a kind of doom; as if your brain can explode in any minute. All of the colors were made with tempera and acrylic, so when you touch it you can feel the eggs splattered all over the place. Acrylic allows you to work on an unprimed canvas, so that's why I decided to work on a raw canvas. Although it's dated 2015 on the reverse, this painting was made in 2016.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:57.2 W x 33.5 H x 1.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Mexico.
Customs:Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
Have additional questions?
Please visit our help section or contact us.
Mexico
I like to keep my studio nice and tidy. I always clean up at the end of each production process. It’s all very much an upbringing thing, a family thing. Cleanliness, economy, order and organization are a big machine of which I’m the catalyst. But the inmediacy of words as a subversive conceptual project parallels my own artistic practice. The accidental attempt of hiding the words beneath the canvas conveys a subtle violence of graffiti-like defacement, rich incidents of dripping, skipping, or distortion that corrupt the reading of the word. The meaning of the word speaks directly to my own experiences but also to a wider audience. Nevertheless, it’s an almost arbitrary choice before it’s applied with spray paint. I begin with a roll of unprimed, raw canvas, the width of which defines the width of the painting, which I then stretch over a wooden stretcher. A wash of powdered pigments mixed with an acrylic polymer is applied to the entire surface of the canvas, in effect dying the pigments into the canvas. This becomes the background of the painting; the canvas continues past the edges of the stretcher bar. The background is then painted with oil paint thinned with turpentine; whole eggs and unbounded pigments are mixed with the diluted oil paint. Dirt is then either thrown or rubbed at the surface, endowing it of a texture and/or color. Dirt is free and everywhere, eggs are cheap and everywhere. They are democratic, an extension of a romanticized reality. I sit sometimes for hours or days, in front of the canvas, considering the next move or contemplating the shape of a particular area. The actual painting, however, is done very rapidly, in the manner of an automatic technique adopted from the surrealists. I discontinued the practice of giving narrative titles to the paintings, they are referred only by number and year.
Artist featured by Saatchi Art in a collection
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Global Selection
Explore an unparalleled artwork selection by artists from around the world.
Satisfaction Guaranteed
Our 14-day satisfaction guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?