VIEW IN MY ROOM
United Kingdom
Painting, Oil on Canvas
Size: 19.7 W x 27.6 H x 1.2 D in
Ships in a Box
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Artist featured in a collection
"Golden yoth" is about the new layer of consumer society. Now in our world, much is available to children, and they often do not see boundaries, demanding more and more, while demand creates supply, as a result. This artwork is charged with the energy of money and conscious consumption. As an artist and researcher I love observing people's behaviour, analyzing it. To create this painting, I was inspired by my childhood in Russia, where the difference between the social strata of the population was very striking, and my first trip to America, where the standard of living was different from what I had seen before. The work is done in oil on canvas and varnished. The stretcher is hand-made by my father, I stretched and primed the canvas myself. In the boy's palm, I placed coins brought from a trip to America, which made my mind wider. The golden boy is looking straight to the viewer's eyes and looks very inpressive/ The irony is that he looks poor and stretches out his hand to ask for money. But his face expression tells us that it is not an ask - it is demand. This controversial aspects make the artwork even more forcable and expressive.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:19.7 W x 27.6 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
For me, constantly moving between countries, not verbal, but the visual language has become an actual form of communication. My art is about our inner processes, often mirroring in the outer world. Being born in a multicultural environment, I consider myself a citizen of the world. I combine elements of different times and cultural communities to show the absence of the need for separation, labeling. After all, we form all this together, in co-existence. Nature with its processes has become both my source of inspiration and the most suitable material for my works. I am interested in its symbolic properties, intertextuality, transformative qualities, energy, and mood. I unite opposites, such as the tenderness of flowers and the hardness of epoxy resin, thereby revealing the ambivalence of being. I tear objects out of their natural cycle, idealizing them, transforming the finite into a semblance of the infinite. My work focuses on our notion and perception of time. I celebrate the beauty of imperfection because every flaw is a trace of the inexorable elusiveness of time, evidence of experiential involvement, and, thus, an organ of self-identification. That’s why the contingency of the process and the errors resulting from the experimental move are important to my practice.
Artist featured by Saatchi Art in a collection
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