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Detail of Good Servant But Bad Master
Detail of Good Servant But Bad Master
Detail of Good Servant But Bad Master

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Good Servant But Bad Master Painting

Max Ruebensal

Germany

Painting, Spray Paint on Canvas

Size: 35.4 W x 35.4 H x 0.6 D in

Ships in a Box

SOLD
Originally listed for $640

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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‘Good Servant But Bad Master’ portrays mankind’s problematic relationship with fossil fuels such as oil. The effects of the image arise, among other things, through a combination of water-based acrylic paints with oil-based (spray) paints, which illustrate the topic as picture-in-picture: Although t...

Year Created:

2019

Subject:
Medium:

Painting, Spray Paint on Canvas

Rarity:

One-of-a-kind Artwork

Size:

35.4 W x 35.4 H x 0.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Max Ruebensal is a young, contemporary artist using various mediums to reflect on symbolism, identity, pop culture & the ever-growing digitalization of our everyday lives. Ultimately, his work intends to reframe common ideas in order to provoke in a well-thought manner and interpret the ways we use signs and symbols to communicate. This is his way of making sense of a world that is changing faster than we are growing up and adapting to it. He therefore combines an experimental and process-oriented art practice with a conceptual, thematic approach that is inspired by urban culture, the collection of thoughts and the cultivation of our worldviews. Visually and aesthetically, his works are characterized by a bold, vibrant and expressive style that effortlessly moves along the intersections between abstraction and figuration. Bright, fluorescent colours explode on psychedelic gradients. Chromatic, neon or iridescent tones come in dialogue with disruptive rainbow patterns . Big bursts of hypercolor are layered with various dynamic techniques, creating a mesmerising visual overload. This interplay of textures, palettes and contrast transmits a vibrancy of motion and fluidity that is full of energy. Sometimes kept abstract, other times combined with traditional painting, the results are works that are both personal and universal in their language.

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