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GRITO DE FURIA Painting

María Teresa Cornejo y Martínez

Mexico

Painting, Ink on Cardboard

Size: 40 W x 60 H x 4 D in

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$3,770

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About The Artwork

inspired by gender violence, my character is situated in his environment, destroyed by the insecurity and instability that surrounds the lives of women in certain neighborhoods of cities. She screams trying to call attention to her disadvantaged condition, to raise awareness and how she, millions. Ink and watercolor produce accidents that dramatize the surface, very appropriate for the subject. I hope that the desolation and fury of this woman who embodies all leads to awareness.

Details & Dimensions

Painting:Ink on Cardboard

Original:One-of-a-kind Artwork

Size:40 W x 60 H x 4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Teresa Cornejo. The journey of this artist through the world of art begins with a vocation that manifests itself from childhood, is creative and focused on plastic perception, occupying shape, light, colors and its deconstruction. He begins studying Design, Painting, Stained Glass, Mosaics, Enamel (he is attracted by the accident that fire creates), he exhibits in itinerant groups of handicrafts and he wins an award with a stained glass work where one can already guess the great creative capacity that is being formed. We can see some of these stained glass windows in the Don Quixote Museum of the City of Guanajuato. In Mexico City, he exhibits painting "Puntillista", "Geometrista" and produces a series of 40 paintings, also in large format, which he exhibits in New York, Guadalajara, Acapulco and the Federal District; He goes to the City of Jalapa, Mexico, where he creates a large mural with this technique for the Museo del Pueblo in honor of Rufino Tamayo. He moves to the seashore and paints the series of 30 paintings that he calls “Naked Appearances”, where the experience of so many years of creative work is assimilated and a totally new and personal style emerges, where he appears as in a mighty river , figures, shapes and colors in situations full of stories and feelings. He paints the mural (The History of Journalism) as well as the pictures for the offices and boardrooms of the headquarters of the Reforma newspaper in Mexico City. Continuing with this style and enriching it with the freedom he feels when tracing on ceramics, he creates "Stories that are told alone", as he calls the multiple and original designs that he captures in each unique piece of this material. She wants to be everywhere, ceramics is a material that is ennobled by fire, it is in all our lives, it occupies all our practical spaces and painted in the way that she conceives it, it also occupies the spaces that exist only to be filled with art. That which for many does not exist, because they do not know that "That" makes their life "Beautiful, bearable, enriched and worth living."

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