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"Havana, Cuba - When Juanica and Chan Chan were sifting sand at the sea - Bert Taken (acrylic on canvas 60x80 cm)" Painting

Bert Taken, Netherlands

Painting, Acrylic on Canvas

32 W x 24 H in

Ships in a Box

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$1,060

ABOUT THE ARTWORK
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Many years ago I traveled in Cuba and I was fascinated by the cmusic and musicians playing outdoors. I made a lot of photographs. The large colour areas stand for the unclear photograph that does not tell the whole story. The travel with my brush and black paint stands for my memory which tries to s...

Year Created:

2018

Subject:
Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

32 W x 24 H x 1.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

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Bert Taken

About the Artist

Bert Taken

Netherlands

I travel a lot. I am interested in other ways of life, customs and views/perspectives that constantly question my own values and norms/standards time and time again. Often I notice that a memory is not quit identical to what the old photo seems to show. Have my memories changed over the years? Or did the old photo not represent the real situation? What is true and do I really want to know it exactly?

In my paintings I usually make use of my travel photos. I make a crop or a collage and translate it into large patches of colour in a limited color palette. Then I start with a brush and black paint on 'my journey' over the canvas. In doing so, I sometimes try to 'reconstruct' the original image, but then also create my own truth again.

I experience this 'brush-walk' across the canvas as a metaphor for life. If my brush neatly follows the boundaries of the color planes, then the painting (life) becomes boring and predictable. If I do not take the surfaces into account, the whole becomes chaotic and meaningless. Two dimensions arise in the work. By constantly changing between 'following' and 'deviating' a scandalous dialogue arises between the newly drawn reality and the roughly colored memories. By switching between the two dimensions, each painting constantly reveals new details and memories while in the meantime others disappear.

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