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Helmet Cam 1988 - Liam - Pipeline Painting

rick doyle

United States

Painting, Acrylic on Aluminium

Size: 40 W x 60 H x 1.5 D in

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About The Artwork

My work for the past 40 years has been inspired by my love of surfing, nature and the ocean. Back in 1988 long before Go Pro Cameras existed I was inspired to shoot radio controlled photos of surfing. In order to do this I had to build a camera rig. At the time, I was also shooting NFL photos for the San Diego Chargers and NFL Properties. While I was on the sidelines one game day, I picked up one of the helmets and discovered they were fairly light and they were equipped with small air bags that conformed the helmet to the wearers head. Which mean I could potentially fit this helmet on many different surfers. With this in mind, I called Ridell, the company that make helmets for the NFL and discussed my project. To my surprise, the sales rep sent me a helmet for free. In my research for the radio control set up, I found a nice until that was built for radio controlled race cars that had a long distance capability and strong signal. I took the device apart and took the guts to Ron Barbish, a guy the built water housings for me in Carlsbad, California. When the construction was finished I had a helmet cam rig that would fit a Canon T-70 body and a Canon 15mm corrected lens. It was a bit heavy almost 15 pounds. I took it our to test riding a few waves and discovered it was doable. I had counter balanced the camera and radio control units and it felt pretty good. My next big challenge was to travel to the N. Shore of Oahu and convince a pro surfer to paddle out and Pipeline. one of the worlds most powerful and dangerous waves in the world wearing this helmet and pull into the tube so I could capture and create this image. Local N. Shore pro Pipeline specialist Liam McNamara offered to help me with the project and after 3 months of work we were able to get this image. I shoot my images on both 35mm slide film and digitally. My process then is to scan my images and begin my digital painting process. I use a digital air brush and when the images are finished I output them to either canvas or aluminum. Acrylic paint is added to some pieces to highlight certain areas. I like show the flow of the water in my images. This particular piece was finished on 12/10/15 and it has not been printed to either canvas or aluminum yet. If you look closely into the center of the painting you'll see numerous faces that are Hawaiian Kahuna Medicine Spirits. The file size for the original art piece is 40" x 60". It can be printed on either Aluminum (40" x 60") or Canvas (40" x 60" as a Giclee. I'd suggest the Aluminum with a medium gloss.

Details & Dimensions

Painting:Acrylic on Aluminium

Original:One-of-a-kind Artwork

Size:40 W x 60 H x 1.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Rick Doyle, a native Californian, is a Hawaii-based 35mm still and motion picture producer, editor, cinematographer and digital videographer. His still work has appeared on the covers of many national and international magazines including Sports Illustrated, NFL Game Day and Surfer Magazine to name a few. His work has been featured by NBC Sports, CBS Sports, and Fox Eye On L. A. Discovery Channel, ABC, The Smithsonian Channel and many more. After graduating from high school, Doyle spent five years in the U.S. Navy during the Vietnam War as an electronics technician repairing the missile guidance system on the F-4 Phantom Jet. Honorably discharged in 1976, he settled in San Diego to surf competitively and to work as a carpenter and as a foam-injection molder at Jim Mizell’s “Aquatic Energy” surfboard factory, in Huntington Beach, CA. He attended San Diego State University (1976- 1980) and graduated with a Bachelor of Arts Degree in Applied Arts & Science with a triple major in Photography, Journalism and Graphic Communication. An internship in college with Surfer Magazine launched his still photography career under the mentor-ship of Art Brewer, Jeff Divine, Jim Kempton, and Paul Holmes. He worked for a decade as an NFL team photographer for the San Diego Chargers and for NFL Properties. He held a position as staff photographer for Windsurf magazine under editor Drew Kampion and photo editor Craig Peterson and he was he West Coast United States photographer for World Publications Wakeboard magazine. For the past 40 + years, he has worked as a traveling surf and sports photographer.World Publications named one of Doyle's photos "Photo of The Century in the Nov/Dec 1999 Issue of WaterSki Magazine. Doyle's been nominated for the Waterski Hall of Fame for the decade of work he did covering the sport.
 He went on to further education in the film business and graduated from the Hollywood Film Institute. He’s been self-employed since graduating from college and his work has had him traveling to many different areas on the globe on assignment.  Doyle’s 35mm and 16mm motion picture work is currently running in many national and international television commercials. Red Water, (currently airing on The Ocean Network http://oceannetwork.tv/red-water.

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